Characters
- Akira
- A 16 year old girl, who after years of dreaming about being whisked off to a magical country, finds herself in one, but that it is not quite how she imagined. Her excitement over what the others see as commonplace objects baffles them and annoys the long-suffering Haru.
- Haru
- The youngest of the three brothers, Haru, who is 18, meets Akira and brings her back to the house he shares with his brothers. Seemingly all his time is spent cleaning up after them, cooking for them and so on.
- Kai
- Haru's older brother and possibly the dimmest member of the group. Kai is not so much absent minded as unfocussed from the reality everyone else lives in, for instance his fascinating with a battery-operated "dancing plant". He is first seen when Akira hears a noise behind a door upon entering the house. Akira thinks he is "cute" but then she looks and sees he is sitting on a toilet and immediately shuts the door in embarrassment, before it is revealed that Kai found the toilet and installed it as a chair in the house, unaware of its usual function.
- Sen
- Sen is the oldest of the three brothers. At first he pretends to be convinced that Akira is an animated scarecrow, but relents after he upsets her. Sen is loud and confident, but extremely lazy, leaving Haru to do all of the work around the house while he relaxes. He permanently wears dark glasses, which Haru has never seen him without, and his eyes remain a mystery, as Kai's attempt to paint a picture of what they look like fails due to his artistic ineptitude.
- The Sage
- The sage fulfils Akira's imagination of how a magician should look - he is aged and bent over, with a long beard and wizarding robes. However, he confesses that he too is unable to do magic, despite having turned 80. He does, however, have the ability to read Akira's thoughts when she doubts his usefulness as a magician with no magic.
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Famous quotes containing the word characters:
“Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.”
—William Burroughs (b. 1914)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)
“Thus we may define the real as that whose characters are independent of what anybody may think them to be.”
—Charles Sanders Peirce (1839–1914)