Portrayal in Media
Magda Goebbels has been portrayed by the following actresses in film and television productions.
- Helga Kennedy-Dohrn in the 1955 West German film Der Letzte Akt (Hitler: The Last Ten Days).
- Yulia Dioshi in the 1971 Eastern Bloc co-production Liberation: The Last Assault.
- Eléonore Hirt in the 1972 French television production Le Bunker.
- Marion Mathie in the 1973 British television production The Death of Adolf Hitler.
- Barbara Jefford in the 1973 British film Hitler: The Last Ten Days.
- Piper Laurie in the 1981 United States television production The Bunker.
- Elke Sommer in the 1982 United States television production Inside the Third Reich.
- Hanna Schygulla in the 1998 Spanish comedy drama La niña de tus ojos (The Girl of Your Dreams).
- Yelena Spiridonova in the 1999 Russian drama Molokh.
- Eva Mattes in the 2001 German comedy Goebbels und Geduldig.
- Jill Richardson in a 2003 episode of the British television series Days That Shook the World.
- Corinna Harfouch in the 2004 German film Downfall (Der Untergang).
- Annette Uhlen in the 2004 German television production Propaganda.
- Emma Buckley in the 2005 British television production Uncle Adolf.
Read more about this topic: Magda Goebbels
Famous quotes containing the words portrayal and/or media:
“From the oyster to the eagle, from the swine to the tiger, all animals are to be found in men and each of them exists in some man, sometimes several at the time. Animals are nothing but the portrayal of our virtues and vices made manifest to our eyes, the visible reflections of our souls. God displays them to us to give us food for thought.”
—Victor Hugo (1802–1885)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)