Wax Figure Making Process
In over one or more sittings, a highly skilled sculptor from Madame Tussauds Studios who is given direct access to the celebrity will record the colours of the hair and eyes, and over 500 precise body measurements are referenced. Most important is to capture the look of the celebrity in order to reflect the personality of each unique individual. The next task is to make a clay model of the head and body which is used to create a mould. Wax cast of the head and hands are made from the mould, and the eyes are inserted. Each eye is hand-painted to achieve a perfect match of the original. Real human hair is then inserted painstakingly strand by strand.
The head and hands are coloured using a blend of oil, water and acrylic colour. From the mould, the body is cast in fibreglass, and the head and hands are fitted to the fiberglass body and dressed in clothes that are often donated by the celebrity. The pose, clothes and expression on the face all contribute to making the figure as realistic as possible. The whole process usually takes up to six months by a team of 20 people to create and cost about HK$1 million each.
Read more about this topic: Madame Tussauds Hong Kong
Famous quotes containing the words wax, figure, making and/or process:
“Generally, about all perception, we can say that a sense is what has the power of receiving into itself the sensible forms of things without the matter, in the way in which a piece of wax takes on the impress of a signet ring without the iron or gold.”
—Aristotle (384–323 B.C.)
“I guess you know, Bob, that if I see you again, I’m just going to start shooting and figure it’s self-defense.”
—David Webb Peoples, screenwriter. Little Bill Daggett (Gene Hackman)
“That’s just the trouble, Sam Houston—it’s always my move. And damnit, I sometimes can’t tell whether I’m making the right move or not. Now take this Vietnam mess. How in the hell can anyone know for sure what’s right and what’s wrong, Sam?”
—Lyndon Baines Johnson (1908–1973)
“... geometry became a symbol for human relations, except that it was better, because in geometry things never go bad. If certain things occur, if certain lines meet, an angle is born. You cannot fail. It’s not going to fail; it is eternal. I found in rules of mathematics a peace and a trust that I could not place in human beings. This sublimation was total and remained total. Thus, I’m able to avoid or manipulate or process pain.”
—Louise Bourgeois (b. 1911)