Wax Figure Making Process
In over one or more sittings, a highly skilled sculptor from Madame Tussauds Studios who is given direct access to the celebrity will record the colours of the hair and eyes, and over 500 precise body measurements are referenced. Most important is to capture the look of the celebrity in order to reflect the personality of each unique individual. The next task is to make a clay model of the head and body which is used to create a mould. Wax cast of the head and hands are made from the mould, and the eyes are inserted. Each eye is hand-painted to achieve a perfect match of the original. Real human hair is then inserted painstakingly strand by strand.
The head and hands are coloured using a blend of oil, water and acrylic colour. From the mould, the body is cast in fibreglass, and the head and hands are fitted to the fiberglass body and dressed in clothes that are often donated by the celebrity. The pose, clothes and expression on the face all contribute to making the figure as realistic as possible. The whole process usually takes up to six months by a team of 20 people to create and cost about HK$1 million each.
Read more about this topic: Madame Tussauds Hong Kong
Famous quotes containing the words wax, figure, making and/or process:
“the young men who watch us from the curbs:
They hold the glaze of wonder in their stare
Our crooked backs, hands fetid as old herbs,
The tallow eyes, wax face, the foreign hair!”
—Allen Tate (1899–1979)
“The exile is a singular, whereas refugees tend to be thought of in the mass. Armenian refugees, Jewish refugees, refugees from Franco Spain. But a political leader or artistic figure is an exile. Thomas Mann yesterday, Theodorakis today. Exile is the noble and dignified term, while a refugee is more hapless.... What is implied in these nuances of social standing is the respect we pay to choice. The exile appears to have made a decision, while the refugee is the very image of helplessness.”
—Mary McCarthy (1912–1989)
“They will take a state and human nature for their tablet, and begin by making a clean surface.”
—Plato (c. 427–347 B.C.)
“The practice of S/M is the creation of pleasure.... And that’s why S/M is really a subculture. It’s a process of invention. S/M is the use of a strategic relationship as a source of pleasure.”
—Michel Foucault (1926–1984)