Style
The series is done in a style reminiscent of manga. A favored technique of McConville is to draw the line art on paper and color the characters in Adobe Photoshop after scanning. Characters are often highly detailed while backgrounds, painted directly in Photoshop, are often blurry. The series has gone through a handful of changes in its style, however—early episodes had a style to it that did not look similar to manga, but more like western comic strips; backgrounds were also more concrete. Over time, this changed to the manga-like style that has become the norm of the series, as well as the digitally painted backgrounds. The super deformed effect that has its origins in manga also became a regular part of the style. The characters in the series lost their black outlines over time, and were later drawn entirely without them.
Read more about this topic: Mac Hall
Famous quotes containing the word style:
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.”
—Paul Goodman (1911–1972)