M. A. G. Osmani - Death

Death

In 1983, aged 65, Osmani was diagnosed with cancer at the Combined Military Hospital (CMH) in Dhaka. He was immediately flown to London for treatment, at the Government's expense. He was attended to by specialists at St Bartholomew's Hospital. Most of his time in the UK was spent staying at the family home of his nephew and niece, Mashahid Ali and Sabequa Chowdhury. Both were beloved to him - the late Mashahid (Shahee) had helped Osmani in his later years by funding the establishment of his political party, the Jatiya Janata Party, following Osmani 's exit from the Mujib government. Sabequa spent formative years of her childhood in Osmani 's home in Sylhet, and Osmani gifted his allocated plot in Dhaka to her in the early 1970s. Osmani's days would pass with an almost endless stream of visitors, well wishers and acolytes calling on him to wish him well, to ask his guidance, or just to see him.

Though Osmani was responding favourably to the cancer treatment, in early February he deteriorated unexpectedly. The hospital diagnosed that he had been given the wrong type of blood at the CMH and that this was now infected. His demise followed immediately after, in bed on 16 February 1984 in London, aged 66. Throughout these months of treatment and convalescence, the famous fire in his eyes and the quiver in his bristly moustache stayed with him until the very end.

Following his sudden death, Osmani's body was flown to Bangladesh. The cavalcade of cars to Heathrow was provided with a special police escort which, with full diplomatic protocol, sped the entourage through the streets of London, stopping the traffic along the route. About a days after his death Osmani was buried in Darga, Sylhet with full military honours. His grave lies adjacent to his mother's.

Read more about this topic:  M. A. G. Osmani

Famous quotes containing the word death:

    I’m beginning to believe that Killer Illiteracy ought to rank near heart disease and cancer as one of the leading causes of death among Americans. What you don’t know can indeed hurt you, and so those who can neither read nor write lead miserable lives, like Richard Wright’s character, Bigger Thomas, born dead with no past or future.
    Ishmael Reed (b. 1938)

    Perhaps it is nothingness which is real and our dream which is non-existent, but then we feel think that these musical phrases, and the notions related to the dream, are nothing too. We will die, but our hostages are the divine captives who will follow our chance. And death with them is somewhat less bitter, less inglorious, perhaps less probable.
    Marcel Proust (1871–1922)