Work
After university in 1977, she joined the Radio Times as a sub-editor before moving in 1978 to the Times Higher Education Supplement as the deputy literary editor. She began freelance writing at the same time. Truss was Literary Editor of The Listener (1986–90) and was an arts and books reviewer for The Independent on Sunday before joining The Times in 1991, where first she spent six years writing television criticism, illustrated by John Minnion, followed by four years as a sports columnist. She won Columnist of the Year for her work for Woman's Journal. She now reviews books for The Sunday Times. Her book Eats, Shoots & Leaves (November 2003), about the misuse of punctuation, became a bestseller in both Britain and the United States. In 2005, she released a book on rudeness titled Talk to the Hand: the utter bloody rudeness of the world today (or six good reasons to stay home and bolt the door).
She is the author of three novels and numerous radio comedy dramas, including the Radio 4 comedy series Acropolis Now, and is a familiar voice on BBC Radio 4. Truss also hosted Cutting a Dash, a popular BBC Radio 4 series about punctuation and frequently delivered humorous monologues in the Fourth Column series. Her 2002/5 radio monologues for actors A Certain Age were collected for publication as a book in 2007. Also in 2007, Radio 4 broadcast her comic drama series Inspector Steine about an incompetent police officer in 1950s Brighton. This was followed by The Casebook of Inspector Steine in 2008. Her latest book is "Get Her Off the Pitch!": how sport took over my life about her work as a sports reporter. This was serialised as a Book of the Week on Radio 4 during the week of 5 October 2009. She appeared as a team captain on the BBC Radio Four comedy series The Write Stuff on 27 January 2010. In December 2010 her comedy Uncle Gwyn's Posthumous Curse was broadcast in the 15-minute slot on Radio 4.
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Famous quotes containing the word work:
“Which is more important to you, your field or your children? the department head asked. She replied, Thats like asking me if I could walk better if you amputated my right leg or my left leg.”
—Anonymous Parent. As quoted in Women and the Work Family Dilemma, by Deborah J. Swiss and Judith P. Walker, ch. 2 (1993)
“His work was that curious mixture of bad painting and good intentions that always entitles a man to be called a representative British artist.”
—Oscar Wilde (18541900)
“Does Job fear God for nothing? Have you not put a fence around him and his house and all that he has, on every side? You have blessed the work of his hands, and his possessions have increased in the land. But stretch out your hand now, and touch all that he has, and he will curse you to your face.”
—Bible: Hebrew, Job 1:9-11.
Satan to God.