Work
After university in 1977, she joined the Radio Times as a sub-editor before moving in 1978 to the Times Higher Education Supplement as the deputy literary editor. She began freelance writing at the same time. Truss was Literary Editor of The Listener (1986–90) and was an arts and books reviewer for The Independent on Sunday before joining The Times in 1991, where first she spent six years writing television criticism, illustrated by John Minnion, followed by four years as a sports columnist. She won Columnist of the Year for her work for Woman's Journal. She now reviews books for The Sunday Times. Her book Eats, Shoots & Leaves (November 2003), about the misuse of punctuation, became a bestseller in both Britain and the United States. In 2005, she released a book on rudeness titled Talk to the Hand: the utter bloody rudeness of the world today (or six good reasons to stay home and bolt the door).
She is the author of three novels and numerous radio comedy dramas, including the Radio 4 comedy series Acropolis Now, and is a familiar voice on BBC Radio 4. Truss also hosted Cutting a Dash, a popular BBC Radio 4 series about punctuation and frequently delivered humorous monologues in the Fourth Column series. Her 2002/5 radio monologues for actors A Certain Age were collected for publication as a book in 2007. Also in 2007, Radio 4 broadcast her comic drama series Inspector Steine about an incompetent police officer in 1950s Brighton. This was followed by The Casebook of Inspector Steine in 2008. Her latest book is "Get Her Off the Pitch!": how sport took over my life about her work as a sports reporter. This was serialised as a Book of the Week on Radio 4 during the week of 5 October 2009. She appeared as a team captain on the BBC Radio Four comedy series The Write Stuff on 27 January 2010. In December 2010 her comedy Uncle Gwyn's Posthumous Curse was broadcast in the 15-minute slot on Radio 4.
Read more about this topic: Lynne Truss
Famous quotes containing the word work:
“A perfect personality ... is only possible in a state of society where man is free to choose the mode of work, the conditions of work, and the freedom to work. One to whom the making of a table, the building of a house, or the tilling of the soil, is what the painting is to the artist and the discovery to the scientist,—the result of inspiration, of intense longing, and deep interest in work as a creative force.”
—Emma Goldman (1869–1940)
“People here are funny. They work so hard at living, they forget how to live.”
—Robert Riskin (1897–1955)
“...I knew I wanted to be permanently self-supporting and I vaguely thought I might work somewhere in the realm of ideas. I felt that I had within me an undeveloped fount of ideas. I did not know exactly what my ideas were, but whatever they were I wanted to convert people to them.”
—Rheta Childe Dorr (1866–1948)