Work
After university in 1977, she joined the Radio Times as a sub-editor before moving in 1978 to the Times Higher Education Supplement as the deputy literary editor. She began freelance writing at the same time. Truss was Literary Editor of The Listener (1986–90) and was an arts and books reviewer for The Independent on Sunday before joining The Times in 1991, where first she spent six years writing television criticism, illustrated by John Minnion, followed by four years as a sports columnist. She won Columnist of the Year for her work for Woman's Journal. She now reviews books for The Sunday Times. Her book Eats, Shoots & Leaves (November 2003), about the misuse of punctuation, became a bestseller in both Britain and the United States. In 2005, she released a book on rudeness titled Talk to the Hand: the utter bloody rudeness of the world today (or six good reasons to stay home and bolt the door).
She is the author of three novels and numerous radio comedy dramas, including the Radio 4 comedy series Acropolis Now, and is a familiar voice on BBC Radio 4. Truss also hosted Cutting a Dash, a popular BBC Radio 4 series about punctuation and frequently delivered humorous monologues in the Fourth Column series. Her 2002/5 radio monologues for actors A Certain Age were collected for publication as a book in 2007. Also in 2007, Radio 4 broadcast her comic drama series Inspector Steine about an incompetent police officer in 1950s Brighton. This was followed by The Casebook of Inspector Steine in 2008. Her latest book is "Get Her Off the Pitch!": how sport took over my life about her work as a sports reporter. This was serialised as a Book of the Week on Radio 4 during the week of 5 October 2009. She appeared as a team captain on the BBC Radio Four comedy series The Write Stuff on 27 January 2010. In December 2010 her comedy Uncle Gwyn's Posthumous Curse was broadcast in the 15-minute slot on Radio 4.
Read more about this topic: Lynne Truss
Famous quotes containing the word work:
“... whoever believes anything esteems that it is a work of charity to persuade another of it.”
—Michel de Montaigne (1533–1592)
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
—Marcel Proust (1871–1922)
“Meanwhile, if the fear of falling into error sets up a mistrust of Science, which in the absence of such scruples gets on with the work itself, and actually cognizes something, it is hard to see why we should not turn round and mistrust this very mistrust.... What calls itself fear of error reveals itself rather as fear of the truth.”
—Georg Wilhelm Friedrich Hegel (1770–1831)