Luke Short (writer) - Novels

Novels

  • The Feud at Single Shot, 1935
  • The Branded Man, 1936
  • The Man on the Blue, 1936
  • Marauders' Moon, 1937
  • King Colt, 1937
  • Brand of Empire, 1937
  • Bold Rider, 1938
  • Savage Range, 1938
  • Raiders of the Rimrock, 1938
  • Hard Money, 1938
  • Bounty Guns, 1939
  • War on the Cimarron, 1939
  • Dead Freight for Piute, 1939
  • Bought with a Gun, 1940
  • Barren Land Showdown, 1940
  • Raw Land, 1940
  • Gunman's Chance, 1941 — film, 1948
  • Hardcase, 1941
  • Ride the Man Down, 1942
  • Sunset Graze, 1942
  • And the Wind Blows Free, 1943--Told in the first person--Unique for Short
  • Ramrod, 1943 — film, 1947
  • Coroner Creek, 1945 — film, 1948
  • Fiddlefoot, 1946
  • Station West, 1946 — film, 1948
  • High Vermilion, 1947
  • Vengeance Valley, 1949 — film, 1951
  • Ambush, 1948 — film, 1950
  • Play a Lone Hand, 1950
  • Saddle by Starlight, 1952
  • Silver Rock, 1953
  • Rimrock, 1955
  • The Whip, 1956
  • Summer of the Smoke, 1958
  • First Claim, 1960
  • Desert Crossing, 1961
  • Last Hunt, 1962
  • The Some-Day Country, 1963
  • First Campaign, 1965
  • Paper Sheriff, 1965
  • The Primrose Try, 1966
  • Debt of Honor, 1967
  • The Guns of Hanging Lake, 1968
  • Donovan's Gun, 1968
  • The Deserters, 1969
  • Three for the Money, 1970
  • Man from the Desert, 1971
  • The Outrider, 1972
  • The Stalkers, 1973
  • The Man from Two Rivers, 1974
  • Trouble Country, 1976

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Famous quotes containing the word novels:

    “Good novels are not written by orthodoxy-sniffers, nor by people who are conscience-stricken about their own orthodoxy. Good novels are written by people who are not frightened.”
    —George Orwell (1903–1950)

    “Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
    —W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    “Society is the stage on which manners are shown; novels are the literature. Novels are the journal or record of manners; and the new importance of these books derives from the fact, that the novelist begins to penetrate the surface, and treat this part of life more worthily.”
    —Ralph Waldo Emerson (1803–1882)