Luigi Nono - Sources

Sources

  • Adorno, Theodor W. 1955. "Kulturkritik und Gesellschaft" (1951), in his Prismen: Kulturkritik und Gesellschaft. Frankfurt am Main: Suhrkamp Verlag.
  • Adorno, Theodor W. 1981. Prisms. Translated from the German by Samuel and Shierry Weber. Studies in Contemporary German Social Thought 4. Cambridge: MIT Press. ISBN 0-262-01064-X (cloth) ISBN 0-262-51025-1 (pbk)
  • Annibaldi, Claudio. 1980. "Nono, Luigi". New Grove Dictionary of Music and Musicians, edited by Stanley Sadie. Washington, D.C.: Grove's Dictionaries of Music.
  • Assis, Paulo de. 2006. Luigi Nonos Wende: zwischen Como una ola fuerza y luz und sofferte onde serene. 2 vols. Hofheim: Wolke. ISBN 3-936000-62-X
  • . 1993. "." The Columbia Encyclopedia. New York: Columbia University Press.
  • Bailey, Kathryn. 1992. "'Work in Progress': Analysing Nono's Il canto sospeso." Music Analysis 11, nos. 2-3 (July–October): 279–334.
  • Beyst, Stefan. 2003. "Nono's Il Prometeo—a Revolutionary Swan Song"(Online).
  • Borio, Gianmario. 2001a. "Tempo e ritmo nelle composizioni seriali di Luigi Nono." Schweizer Jahrbuch für Musikwissenschaft/Annales suisses de musicologie/Annuario svizzero di musicologia no. 21:79–136.
  • Borio, Gianmario. 2001b. "Nono, Luigi." The New Grove Dictionary of Music and Musicians, ed. S. Sadie and J. Tyrrell. London: Macmillan.
  • Carvalho, Mário Vieira de. 1999. "Quotation and Montage in the Work of Luigi Nono" Contemporary Music Review 18, part 2:37-85
  • Casa Ricordi (Online) - Historical Background (Prometeo).
  • Davezies, Robert. 1965. Les Angolais. Grands Documents 21. : Éditions de Minuit.
  • Davismoon, Stephen (ed.). 1999a. Luigi Nono (1924–1990): The Suspended Song. Contemporary Music Review 18, part 1. : Harwood Academic Publishers. ISBN 90-5755-112-8
  • Davismoon, Stephen (ed.). 1999b. Luigi Nono (1924–1990): Fragments and Silence. Contemporary Music Review 18, part 2. : Harwood Academic Publishers.
  • Fabbriciani, Roberto. 1999. "Walking with Gigi". Contemporary Music Review 18, no. 1:7–15.
  • Feneyrou, Laurent. 2002. Il canto sospeso de Luigi Nono: musique & analyse. Paris: M. de Maule. ISBN 2-87623-106-9
  • Feneyrou, Laurent. 2003. "Vers l'incertain: Une introduction au Prometeo de Luigi Nono." Analyse musicale no. 46 (February).
  • Flamm, Christoph. 1995. "Preface" to Luigi Nono, Il canto sospeso (score), 13–28. London: Eulenburg Edition.
  • Fox, Christopher. 1999. "Luigi Nono and the Darmstadt School: Form and Meaning in the Early Works (1950–1959)". Contemporary Music Review 18, no. 2: 111–30.
  • Frobenius, Wolf. 1997. "Luigi Nonos Streichquartett Fragmente—Stille, An Diotima." Archiv für Musikwissenschaft 54, no. 3:177-193.
  • Guerrero, Jeannie Ma. 2006. "Serial Intervention in Nono's Il canto sospeso". Music Theory Online 12, no. 1 (February)
  • Hermann, Matthias. 2000. "Das Zeitnetz als serielles Mittel formaler Organisation: Untersuchungen zum 4. Satz aus Il Canto Sospeso von Luigi Nono". In Musiktheorie: Festschrift für Heinrich Deppert zum 65. Geburtstag, edited by Wolfgang Budday, Heinrich Deppert, and Erhard Karkoschka, 261–75. Tutzing: Hans Schneider. ISBN 3-7952-1005-4.
  • Hofmann, Klaus. 2005. "Poetry after Auschwitz—Adorno's Dictum". German Life and Letters 58, no. 2:182–94.
  • Hopkins, Bill. 1978. "Luigi Nono: The Individuation of Power and Light." Musical Times 99, no. 1623 (May): 406–09.
  • Huber, Nicolaus A. 1981. "Luigi Nono: Il canto sospeso VIa, b—Versuch einer Analyse mit Hilfe dialektischer Montagetechniken". In Musik-Konzepte 20 (Luigi Nono), edited by Heinz-Klaus Metzger and Rainer Riehn, 58–79. Munich: Edition text + kritik. Reprinted in Nicolaus Huber, Durchleuchtungen: Texte zur Musik 1964–1999, edited by Josef Häusler, 118–39. Wiesbaden: Breitkopf & Härtel, 2000. ISBN 3-7651-0328-4.
  • Huber, Nicolaus A. 2000. "Über einige Beziehungen von Politik und Kompositionstechnik bei Nono". In Nicolaus Huber, Durchleuchtungen: Texte zur Musik 1964–1999, edited by Josef Häusler, 57–66. Wiesbaden: Breitkopf & Härtel. ISBN 3-7651-0328-4.
  • Ivashkin, Alexander. 1996. Alfred Schnittke. Phaidon 20th Century Composers, edited by Norman Lebrecht. London: Phaidon. ISBN 0-7148-3169-7
  • Jabès, Edmond, Luigi Nono, Massimo Cacciari, and Nils Röller. 1995. Migranten, interviews, edited and translated by Nils Röller. Internationaler Merve-Diskurs 194. Berlin: Merve. ISBN 3-88396-126-4.
  • Kolleritsch, Otto (ed.). 1990. Die Musik Luigi Nonos. Studien zur Wertungsforschung 24. Vienna: Universal Edition. ISBN 3-7024-0198-9
  • Kurtz, Michael. 1992. Stockhausen: A Biography. Translated by Richard Toop. London: Faber and Faber.
  • Leeuw, Ton de. 2005. Music of the Twentieth Century: A Study of Its Elements and Structure, translated from the Dutch by Stephen Taylor. Amsterdam: Amsterdam University Press.ISBN 9053567658
  • Licata, Thomas. 2002. "Luigi Nono’s Omaggio a Emilio Vedova". In Electroacoustic Music: Analytical Perspectives, edited by Thomas Licata, 73–89. Contributions to the Study of Music and Dance 63. Westport, Connecticut & London: Greenwood Press. ISBN 0-313-31420-9.
  • Loescher, Wolfgang. 2000. Luigi Nono (1924–1990), liner notes to Luigi Nono, Orchestral and Chamber Music. Col Legno CD WWE 1CD 20505.
  • Luigi Nono Archive, Venice.
  • Luigi Nono Exhibition - "Gigi e Nuria, il racconto di un amore in musica", Federazione CEMAT. Sonora|Ritratti
  • The Luigi Nono Project 2006-07 (Online). European Union.
  • Metzger, Heinz-Klaus, and Rainer Riehn, eds. 1981. Luigi Nono. Musik-Konzepte 20. Munich: Edition Text+Kritik. ISBN 3-88377-072-8.
  • Motz, Wolfgang. 1998. "Konstruktion und Ausdruck: Analytische Betrachtungen zu Il canto sospeso (1955/56) von Luigi Nono". Die Musikforschung 51, no. 3:376–77.
  • Nielinger, Carola. 2006. "The Song Unsung: Luigi Nono's Il canto sospeso." Journal of the Royal Musical Association 131, no. 1:83-150.
  • Nono, Luigi. 1975. Texte, Studien zu seiner Musik, edited by Jürg Stenzl. Zürich: Atlantis. ISBN 3-7611-0456-1.
  • Nono, Luigi. 1993. Ecrits, réunis, présentés et annotés par Laurent Feneyrou; traduits sous la direction de Laurent Feneyrou. Musique/passé/présent. : Christian Bourgois Editeur. ISBN 2-267-01152-2
  • Nono, Luigi. 2001. Scritti e colloqui. 2 vols. Edited by Angela Ida de Benedictis and Veniero Rizzardi. Milan: Ricordi; Lucca: LIM.
  • Nono, Luigi, and Enzo Restagno. 2004. Incontri: Luigi Nono im Gespräch mit Enzo Restagno, Berlin, März 1987. Edited by Matteo Nanni and Rainer Schmusch. Hofheim: Wolke. ISBN 3-936000-32-8
  • Ozorio, Anne. 2008a. Review of Luigi Nono, Prometeo: Tragedia dell'ascolto (COL LEGNO SACD – WWE 2SACD 20605). Musicweb International (April). (Accessed 15 August 2010)
  • Ozorio, Anne. 2008b. Review of Luigi Nono, Prometeo: Tragedia dell'ascolto. Performances at Royal Festival Hall, London, May 2008. Musicweb International (June). (Accessed 15 August 2010)
  • Pauli, Hansjörg. 1971. Für wen komponieren Sie eigentlich? Reihe Fischer, vol. F 16. Frankfurt am Main: Fischer.
  • Pestalozza, Luigi. 1992. Nono: La lontananza nostalgica utopica futura, "Hey que caminar" sonando, Deutsche Grammophon.
  • Pon, Gundaris. 1972. "Webern and Luigi Nono: The Genesis of a New Compositional Morphology and Syntax." Perspectives of New Music, 10, no. 2 (Spring-Summer): 111–19.
  • Restagno, Enzo. 1987 Nono / autori vari. Biblioteca di cultura musicale: Autori e opere. Torino: EDT/Musica. ISBN 88-7063-048-X
  • Schaller, Erika. 1997. Klang und Zahl: Luigi Nono: serielles Komponieren zwischen 1955 und 1959. Saarbrücken: PFAU.ISBN 3-930735-62-8
  • Schoenberg-Nono, Nuria. 2005. Interview. "Music Matters", BBC Radio 3 (24 April).
  • Shimizu, Minoru. 2001. "Verständlichkeit des Abgebrochenen: Musik und Sprache bei Nono im Kontrast zu Stockhausen". In Aspetti musicali: Musikhistorische Dimensionen Italiens 1600 bis 2000--Festschrift für Dietrich Kämper zum 65. Geburtstag, edited by, Christoph von Blumröder, Norbert Bolin, and Imke Misch, 315–19. Köln-Rheinkassel: Dohr. ISBN 3-925366-83-0.
  • Spangemacher, Friedrich. 1983. Luigi Nono, die elektronische Musik: historischer Kontext, Entwicklung, Kompositionstechnik. Forschungsbeiträge zur Musikwissenschaft 29. Regensburg: G. Bosse. ISBN 3-7649-2260-5
  • Spree, Hermann. 1992. Fragmente-Stille, an Diotima: ein analytischer Versuch zu Luigi Nonos Streichquartett. Saarbrücken : PFAU. ISBN 3-928654-06-3
  • Steinitz, Richard. 1995. "Luigi Nono". Introduction, Huddersfield Contemporary Music Festival brochure.
  • Stenzl, Jürg. 1986a. "Luigi Nono: Fragmente – Stille, an Diotima" / "Fragments – Stillness, for Diotima", English translation by C. Stenzl and L. Pon. Unpaginated liner notes for Luigi Nono, Fragmente – Stille, an Diotima, Deutsche Grammophon CD 415 513-2.
  • Stenzl, Jürg. 1986b. "Luigi Nono", English translation by John Patrick Thomas. Unpaginated liner notes for Luigi Nono, Fragmente – Stille, an Diotima, Deutsche Grammophon CD 415 513-2.
  • Stenzl, Jürg. 1995. "Prometeo—Tragedia dell'ascolto". Liner notes for the recording of Prometeo, EMI Classics, 2-CD set (5 55209 2).
  • Stenzl, Jürg. 1998. Luigi Nono. Rowohlts Monographien 50582. Reinbek bei Hamburg: Rowohlt. ISBN 3-499-50582-7
  • Stenzl, Jürg. 1999. "Stories/ Luigi Nono's 'theatre of consciousness', Al gran sole carico d'amore". Teldec New Line.
  • Stenzl, Jürg. 2002a. "Luigi Nono: Il canto sospeso für Sopran-, Alt- und Tenor-Solo, gemischten Chor und Orchester, 1955/56". In Musikerhandschriften: Von Heinrich Schütz bis Wolfgang Rihm, edited by Günter Brosche, 160–61. Stuttgart: Reclam. ISBN 3-15-010501-3.
  • Stenzl, Jürg. 2002b. Luigi Nono: Werkzeichnis, Bibliographie seiner Schriften und der Sekundärliteratur, Diskographie, Filmographie, Bandarchiv, third edition. Salzburg: Jürg Stenzl.
  • Stockhausen, Karlheinz. 1964. "Music and Speech", translated by Ruth Koenig. Die Reihe 6 (English edition): 40–64. Original German version, as "Musik und Sprache", Die Reihe 6 (1960): 36–58. The portion on Nono’s Il canto sospeso reprinted as "Luigi Nono: Sprache und Musik II", in Stockhausen, Texte 2. Cologne: Verlag M. DuMont Schauberg, 1964.
  • Stoïanova, Ivanka. 1987. "Testo—musica—senso: Il canto sospeso". In Nono, edited bu E. Restagno, 128–35. Turin: Edizioni di Torino.
  • Stoïanova, Ivanka. 1998. "L'exercice de l'espace et du silence dans la musique de Luigi Nono". In L'espace: Musique/philosophie, edited by Jean-Marc Chouvel and Makīs Solōmos, 425–38. Paris: L'Harmattan. ISBN 2-7384-6593-5.
  • Zehelein, Klaus. 199?. "Intolleranza 1960 - Music at the Crossroads". Liner notes for Teldec CD:

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