On Stage
In 1927, Dorothy Peterson originated the role of Lucy Seward in the Broadway stage play version of Dracula. In this version the characters of Lucy and Mina were combined to create Dr. Seward's daughter, who falls under Dracula's power but is saved from death at the end of the play.
Marcella Gaudel starred as Lucy in the revival of the play in 1931.
Ann Sachs played the role of Lucy, in yet another revival of the play in 1977. Lauren Thompson replaced Sachs in the role some time later before the play closed in 1980.
In Argentina, Drácula, el musical by Pepe Cibrián and Angel Mahler : Lucy: Paola Krum (1991 y 1992), Alejandra Radano (1994), Karina K (1997), Romina Groppo (2000), Georgina Frere (2003), Florencia Benítez (2007), Georgina Reynaldi (2007), Luna Perez Lening (2011).
Drácula Siglo XXI by Argentina´s composer Pablo Flores Torres Lucy Westenra: Gabriela Moya Grgic (2011)
Dracula, The Musical opened on Broadway in 2004. Lucy Westenra plays a less-than-crucial part. She is very much like the novel, though in this version Dracula originally targeted Mina Murray, but Lucy becomes his victim when she answers Dracula's call. She dies, a victim of the count, and rises as an undead vampire. She is destroyed by the men, as in the novel, but Mina is shown severely mourning her. The role has been played by Kelli O'Hara.
In 2006, Gabrielle Destroismaisons portrayed Lucy in a French Canadian musical production Dracula - Entre l'amour et la mort.
Read more about this topic: Lucy Westenra
Famous quotes containing the word stage:
“Even the most incompetent English actor, coming on the stage briefly to announce the presence below of Lord and Lady Ditherege, gives forth a sound so soft and dulcet as almost to be a bar of music. But sometimes that is all there is. The words are lost in the graceful sweep of the notes.”
—Robert Benchley (1889–1945)
“From now on, I think it is safe to predict, neither the Democratic nor the Republican Party will ever nominate for President a candidate without good looks, stage presence, theatrical delivery, and a sense of timing.”
—James Thurber (1894–1961)