Early Musical and Writing Career
In 1979, whilst attending a convent school in Southampton, she formed a punk band aptly named "the Catholic Girls". She left the band in 1980 to attend University in Leeds, and The Catholic Girls continued for a while under the name Almost Cruelty before splitting up.
At university she played with a number of bands before giving up performing to write instead. She became music editor of the University of Leeds magazine, Leeds Student, and after graduating in 1983, she submitted gig articles to the music paper the New Musical Express (NME), which then published Charles Shaar Murray and Nick Kent. She has since written about the "intimidating" office culture at NME in the eighties, and the extent to which female music journalists were ostracised and not taken seriously by the paper. Her best-known contribution to the paper may be the notorious "Youth Suicide" cover article.
Forming an alliance with fellow soul and socialism heads Stuart Cosgrove and Paolo Hewitt, O'Brien became part of a leftist faction at NME which was eventually discharged by incoming editor Alan Lewis — an IPC troubleshooter instructed to de-politicise the magazine and boost sales.
During her early years at NME, O'Brien also wrote for the feminist magazine, Spare Rib, whose offices she had first visited in 1980. In 1984 she co-wrote a cover story for them about women in the music industry. She was shocked to discover just how few women had record deals or were in the charts compared to men and this discovery would inspire her later work, particularly She Bop.
After leaving NME, O'Brien worked as Music Editor at the London listings magazine City Limits. It was here that she interviewed Dusty Springfield, an interview which led to her being contacted by the publishers Sidgwick & Jackson, and to her being offered the chance to write Springfield's biography.
Read more about this topic: Lucy O'Brien
Famous quotes containing the words early, musical, writing and/or career:
“I realized how for all of us who came of age in the late sixties and early seventies the war was a defining experience. You went or you didnt, but the fact of it and the decisions it forced us to make marked us for the rest of our lives, just as the depression and World War II had marked my parents.”
—Linda Grant (b. 1949)
“I was with Hercules and Cadmus once,
When in a wood of Crete they bayed the bear
With hounds of Sparta: never did I hear
Such gallant chiding; for besides the groves,
The skies, the fountains, every region near
Seemed all one mutual cry. I never heard
So musical a discord, such sweet thunder.”
—William Shakespeare (15641616)
“To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harms way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.”
—Virginia Woolf (18821941)
“Whether lawyer, politician or executive, the American who knows whats good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)