Production
- Producers: Melissa Etheridge, David N. Cole, Ross Hogarth, Rick Parashar, John Shanks
- Engineers: David N. Cole, Marc DeSisto, Ross Hogarth, Terese Joseph, Christian Mack, Rick Parashar, Jeff Rothschild, Mark Valentine
- Assistant engineers: Keith Armstrong, Jaime Sickora
- Mixing: Ross Hogarth, Chris Lord-Alge, Geoff Ott, Rick Parashar
- Digital editing: David Channing, Christian Mack
- Tracking assistants: Sergio Chavez, Mark Kiczula, Joey Paradise, Jeremy Parker, Shawn "Fox" Phelps
- A&R: Jeff Fenster, Tara Podolsky, Paul Pontius
- Drum programming: David Cole, Jon Plum, Jeffrey C.J. Vanston
- Keyboard programming: Jon Plum
- Production coordination: Steven Girmant
- Coordination: Shari Sutcliffe
- Assistants: Chris Reynolds, Honchol Sin, Jason Warner
- Creative director: Rick Patrick
- Art direction: Sara Cumings, Jeri Heiden
- Design: Sara Cumings, Jeri Heiden
- Illustrations: Tavis Coburn
- Photography: Cynthia Daniels
Read more about this topic: Lucky (Melissa Etheridge album)
Famous quotes containing the word production:
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)