Reception
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Zac Bertschy of Anime News Network commented that it was an "undercooked" show, but had a good dub while it had trouble with episode structure and plot progression. He also said that the opening theme song by Billy Preston was catchy because it's "probably one of the best anime theme songs from the past five years, mostly because it doesn't sound like an anime theme song". Adam Arseneau felt the series was "too dull to be intriguing or compelling, but too comfortable and easygoing to be a total failure". The reviewer for AnimePRO compared the "fluid and loose" exaggerated actions and fight scenes to Lupin III, and enjoyed the rapport between Jack and Rowe. They felt that the second volume had the right blend of action, an engaging story, and the right amount of humour. Andrew MacLennan enjoyed the use of a British cast for the English dub, feeling it added to the espionage atmosphere, but felt that the story was not sufficiently engaging for an adult audience, despite the M rating.
Tiffani Nadeau praised VOCAL SIDE's arrangement, saying that the CD flowed well from one track to the next, and Patrick King praised the variety in the songs, feeling the CD held up well even without the context of the series.
Read more about this topic: L/R: Licensed By Royalty
Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)