Style and Setting
As with any letter, a love letter could be written in any structure or style. One historically popular method is as a sonnet or other form of poem. William Shakespeare's sonnets are often cited as good examples of how to write emotional themes. Structure and suggestions of love letters have formed the subject of many published books, such as the anthology Love Letters of Great Men. 'After reading hundreds of love letters for her collection The Book of Love Cathy N. Davidson confesses, "The more titles I read, the less I was able to generalize about female versus male ways of loving or expressing that love"'.
After the end of a relationship, returning love letters to the sender or burning them can symbolize the pain felt. In the past, love letters also needed to be returned as a matter of honor: a love letter, particularly from a lady, could be compromising or embarrassing later in life, and the use of 'compromising letters...for blackmailing or other purposes' was a Victorian cliche.
Some stationery companies produce paper and envelopes specifically for love letters. Some of these are scented - 'ground up lavender...a whole new sensory experience in letter reading' - though most people prefer to spray them with their own perfume. This emphasizes, in the receiver's mind, the physical connection that occurred between them in this form of communication and thus may strengthen the overall impact of the letter.
Read more about this topic: Love Letter
Famous quotes containing the words style and, style and/or setting:
“A man is free to go up as high as he can reach up to; but I, with all my style and pep, can’t get a man my equal because a girl is always judged by her mother.”
—Anzia Yezierska (c. 1881–1970)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“A happy marriage perhaps represents the ideal of human relationship—a setting in which each partner, while acknowledging the need of the other, feels free to be what he or she by nature is: a relationship in which instinct as well as intellect can find expression; in which giving and taking are equal; in which each accepts the other, and I confronts Thou.”
—Anthony Storr (b. 1920)