Critical Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| About.com | |
| Allmusic | |
| Artistdirect | |
| Los Angeles Times | |
| Slant Magazine | |
| Vail Daily | |
Love Is Dead received positive reviews from music critics. Rick Florino of Artistdirect raved that the album is "more than just 'alternative music;' it's alternative art. Kerli's vision extends far beyond the notes recorded on her CD, and that's instantly apparent from her twisted fairytale aesthetic." Heather Phares of Allmusic concluded that "despite its faults, it is one of the most unique albums released by a major label in 2008." About.com's Ben Norman agreed, stating that it is "one of the best and most unique major label offerings of 2008, and hardly something to miss. With Kerli's emergence into the dance scene, I predict that this is the album to watch." Slant Magazine reviewer Sal Cinquemani complimented the album's first three tracks, "Love Is Dead", "Walking on Air", and "The Creationist", commenting that "they display enough diversity and musical savvy, if not actual talent, to warrant an endorsement", but criticized songs like "Creepshow" ("over-the-top") and "Butterfly Cry" ("plodding"). He also added that "he formulas employed throughout Love Is Dead are often trite but the undeniable excitement and awe with which she approaches them is just as frequently refreshing."
Christy Grosz from the Los Angeles Times wrote that "lthough her songs occasionally feature the alto piano of Apple or the otherworldly trilling of Morissette or Björk, her voice can sound thin and inconsistent, giving the whole thing a somewhat derivative feel" and that "a little more creepiness would give Kerli the edge that her appearance advertises." In his review for Blender, Andrew Harrison noted that "Love Is Dead's gothic gray walls of riff and throbbing drum machines are convincing enough, and Kerli has clearly lived a tough old life so far. Unfortunately, it translates into kohl-eyed pantomime, rather than cathartic music, with lyrics so hopelessly trite they sound like a feel-good tract for preschoolers." Vail Daily's Charlie Owen felt that the album "reveals Kerli's talent but sounds more like she's trying to find a direction than blazing a trail."
Read more about this topic: Love Is Dead (Kerli Album)
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