Plot
French painter Michel Marnet (Charles Boyer) meets American singer Terry McKay (Irene Dunne) aboard a liner crossing the Atlantic Ocean. They are both already engaged, he to heiress Lois Clarke (Astrid Allwyn), she to Kenneth Bradley (Lee Bowman). Nonetheless, they fall in love. At a stop at Madeira, they visit Michel's grandmother Janou (Maria Ouspenskaya), who approves of Terry.
The couple make an appointment to meet six months later on top of the Empire State Building. However, tragedy strikes; Terry is struck by a car on her way to the rendezvous and is told that she may be crippled, though that will not be known for certain for several months. Not wanting to be a burden to Michel, she does not contact him, preferring to let him think the worst.
They meet by accident at the theater, though Terry manages to conceal her condition. Michel then visits her at her apartment and finally learns the truth. He assures her that they will be together no matter what the diagnosis will be.
Read more about this topic: Love Affair (1939 film)
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“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobodys previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (18121870)
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The careful Devil is still at hand with means;
And providently Pimps for ill desires:
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Plots, true or false, are necessary things,
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—John Dryden (16311700)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. The king died and then the queen died is a story. The king died, and then the queen died of grief is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)