Work
Portillo's films tend to focus on Latin America and the Latin American experience in the United States. Her film debut, for example, the 1979 Después del Terremoto, focuses on the experience of a Nicaraguan refugee of the 1972 Managua earthquake in San Francisco. It was followed by Madres: The Mothers of Plaza de Mayo, a 1986 co-production with the Argentine director Susana Blaustein Muñoz which documented the actions of Mothers of the Plaza de Mayo, a group of Argentine women who gather weekly at the Plaza de Mayo in Buenos Aires to remember their children that were murdered or "disappeared" by the military regime.
Other films have centered on Day of the Dead celebrations, Selena, the Female homicides in Ciudad Juárez, and AIDS.
She has also collaborated with the Chicano comedy troupe Culture Clash on two productions: Columbus on Trial and Culture Clash: Mission Magic Mystery Tour. She has also collaborated with the San Francisco Mime Troupe.
Read more about this topic: Lourdes Portillo
Famous quotes containing the word work:
“In my dreams is a country where the State is the Church and the Church the people: three in one and one in three. It is a commonwealth in which work is play and play is life: three in one and one in three. It is a temple in which the priest is the worshiper and the worshiper the worshipped: three in one and one in three. It is a godhead in which all life is human and all humanity divine: three in one and one in three.”
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“... you can have a couple of seconds to rest in. I mean seconds. You have about two seconds to wait while the blanker is on the felt drawing the moisture out. You can stand and relax those two seconds—three seconds at most. You wish you didn’t have to work in a factory. When it’s all you know what to do, that’s what you do.”
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—Cyril Connolly (1903–1974)