Work
Portillo's films tend to focus on Latin America and the Latin American experience in the United States. Her film debut, for example, the 1979 Después del Terremoto, focuses on the experience of a Nicaraguan refugee of the 1972 Managua earthquake in San Francisco. It was followed by Madres: The Mothers of Plaza de Mayo, a 1986 co-production with the Argentine director Susana Blaustein Muñoz which documented the actions of Mothers of the Plaza de Mayo, a group of Argentine women who gather weekly at the Plaza de Mayo in Buenos Aires to remember their children that were murdered or "disappeared" by the military regime.
Other films have centered on Day of the Dead celebrations, Selena, the Female homicides in Ciudad Juárez, and AIDS.
She has also collaborated with the Chicano comedy troupe Culture Clash on two productions: Columbus on Trial and Culture Clash: Mission Magic Mystery Tour. She has also collaborated with the San Francisco Mime Troupe.
Read more about this topic: Lourdes Portillo
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“Your children get a lot of good stuff out of your work...They benefit from the tales you tell over dinner. They learn from the things you explain to them about what you do. They brag about you at school. They learn that work is interesting, that it has dignity, that it is necessary and pleasing, and that it is a perfectly natural thing for both mothers and fathers to do...Your work enriches your children more than it deprives them.”
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“Never can the innate power of a work be hidden or locked away. A work of art can be forgotten by time; it can be forbidden and rejected but the elemental will always prevail over the ephemeral.”
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