Work
Portillo's films tend to focus on Latin America and the Latin American experience in the United States. Her film debut, for example, the 1979 Después del Terremoto, focuses on the experience of a Nicaraguan refugee of the 1972 Managua earthquake in San Francisco. It was followed by Madres: The Mothers of Plaza de Mayo, a 1986 co-production with the Argentine director Susana Blaustein Muñoz which documented the actions of Mothers of the Plaza de Mayo, a group of Argentine women who gather weekly at the Plaza de Mayo in Buenos Aires to remember their children that were murdered or "disappeared" by the military regime.
Other films have centered on Day of the Dead celebrations, Selena, the Female homicides in Ciudad Juárez, and AIDS.
She has also collaborated with the Chicano comedy troupe Culture Clash on two productions: Columbus on Trial and Culture Clash: Mission Magic Mystery Tour. She has also collaborated with the San Francisco Mime Troupe.
Read more about this topic: Lourdes Portillo
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“But a man must keep an eye on his servants, if he would not have them rule him. Man is a shrewd inventor, and is ever taking the hint of a new machine from his own structure, adapting some secret of his own anatomy in iron, wood, and leather, to some required function in the work of the world. But it is found that the machine unmans the user. What he gains in making cloth, he loses in general power.”
—Ralph Waldo Emerson (1803–1882)
“At each minute we are crushed by the idea and the feeling of time. And there are only two ways to escape this nightmare, Mto forget it: pleasure and work. Pleasure wears us out. Work fortifies us. Let’s choose.”
—Charles Baudelaire (1821–1867)
“[To an admirer who said, “You look gorgeous”:] Oh, God, if you only knew how much work it takes.”
—Julie Wilson (b. 1925)