Work
Portillo's films tend to focus on Latin America and the Latin American experience in the United States. Her film debut, for example, the 1979 Después del Terremoto, focuses on the experience of a Nicaraguan refugee of the 1972 Managua earthquake in San Francisco. It was followed by Madres: The Mothers of Plaza de Mayo, a 1986 co-production with the Argentine director Susana Blaustein Muñoz which documented the actions of Mothers of the Plaza de Mayo, a group of Argentine women who gather weekly at the Plaza de Mayo in Buenos Aires to remember their children that were murdered or "disappeared" by the military regime.
Other films have centered on Day of the Dead celebrations, Selena, the Female homicides in Ciudad Juárez, and AIDS.
She has also collaborated with the Chicano comedy troupe Culture Clash on two productions: Columbus on Trial and Culture Clash: Mission Magic Mystery Tour. She has also collaborated with the San Francisco Mime Troupe.
Read more about this topic: Lourdes Portillo
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““The work is done,” grown old he thought,
“According to my boyish plan;
Let the fools rage, I swerved in nought,
Something to perfection brought;”
But louder sang that ghost “What then?””
—William Butler Yeats (1865–1939)
“If therefore my work is negative, irreligious, atheistic, let it be remembered that atheism—at least in the sense of this work—is the secret of religion itself; that religion itself, not indeed on the surface, but fundamentally, not in intention or according to its own supposition, but in its heart, in its essence, believes in nothing else than the truth and divinity of human nature.”
—Ludwig Feuerbach (1804–1872)
“... actresses require protection in their art from blind abuse, from savage criticism. Their work is their religion, if they are seeking the best in their art, and to abuse that faith is to rob them, to dishonor them.”
—Nance O’Neil (1874–1965)