Louise de Salvo - Works

Works

  • Virginia Woolf's First Voyage: A Novel in the Making (Rowman & Littlefield Publishers Inc., 1980)
  • Nathaniel Hawthorne (Brill Academic Publishers, Incorporated, 1987)
  • Virginia Woolf: The Impact of Childhood Sexual Abuse on Her Life and Work (Ballantine Books, 1990)
  • Territories of the Voice: Contemporary Stories by Irish Women Writers, Edited By Louise DeSalvo, Katherine Hogan, and Kathleen W. D’Arcy (Beacon Press, 1991)
  • Between Women: Biographers, Novelists, Critics, Teachers, and Artists Write About Their Work on Women, Edited by Carol Ascher, Sara Ruddick, and Louise DeSalvo (Routledge, 1993)
  • Conceived with Malice: Literature as Revenge in the Lives of Woolf, Lawrence, Barnes, Miller (Plume, 1994)
  • Breathless: An Asthma Journal (Beacon Press, 1997)
  • Vertigo: A Memoir (Penguin, 1997)
  • Adultery: An Intimate Look at Why People Cheat (Houghton Mifflin, 2000)
  • Writing as a Way of Healing: How Telling Our Stories Transforms Our Lives (Beacon Press, 2000)
  • A Green and Mortal Sound: Short Fiction by Irish Women Writers, Edited by Louise DeSalvo, Katherine Hogan, and Kathleen Walsh D’Arcy (Beacon Press, 2001)
  • The Letters of Vita Sackville-West and Virginia Woolf, Edited by Louise DeSalvo and Mitchell Leaska (Cleis Press, 2001)
  • Melymbrosia by Virginia Woolf, Edited by Louise DeSalvo (Cleis Press, 2002)
  • The Milk of Almonds: Italian American Women Writers on Food and Culture, Edited by Louise DeSalvo and Edvidge Giunta (The Feminist Press at CUNY, 2003)
  • Crazy in the Kitchen: Food, Feuds and Forgiveness in an Italian American Family (Bloomsbury, 2005)

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Famous quotes containing the word works:

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    “Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
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