Louise de Salvo - Works

Works

  • Virginia Woolf's First Voyage: A Novel in the Making (Rowman & Littlefield Publishers Inc., 1980)
  • Nathaniel Hawthorne (Brill Academic Publishers, Incorporated, 1987)
  • Virginia Woolf: The Impact of Childhood Sexual Abuse on Her Life and Work (Ballantine Books, 1990)
  • Territories of the Voice: Contemporary Stories by Irish Women Writers, Edited By Louise DeSalvo, Katherine Hogan, and Kathleen W. D’Arcy (Beacon Press, 1991)
  • Between Women: Biographers, Novelists, Critics, Teachers, and Artists Write About Their Work on Women, Edited by Carol Ascher, Sara Ruddick, and Louise DeSalvo (Routledge, 1993)
  • Conceived with Malice: Literature as Revenge in the Lives of Woolf, Lawrence, Barnes, Miller (Plume, 1994)
  • Breathless: An Asthma Journal (Beacon Press, 1997)
  • Vertigo: A Memoir (Penguin, 1997)
  • Adultery: An Intimate Look at Why People Cheat (Houghton Mifflin, 2000)
  • Writing as a Way of Healing: How Telling Our Stories Transforms Our Lives (Beacon Press, 2000)
  • A Green and Mortal Sound: Short Fiction by Irish Women Writers, Edited by Louise DeSalvo, Katherine Hogan, and Kathleen Walsh D’Arcy (Beacon Press, 2001)
  • The Letters of Vita Sackville-West and Virginia Woolf, Edited by Louise DeSalvo and Mitchell Leaska (Cleis Press, 2001)
  • Melymbrosia by Virginia Woolf, Edited by Louise DeSalvo (Cleis Press, 2002)
  • The Milk of Almonds: Italian American Women Writers on Food and Culture, Edited by Louise DeSalvo and Edvidge Giunta (The Feminist Press at CUNY, 2003)
  • Crazy in the Kitchen: Food, Feuds and Forgiveness in an Italian American Family (Bloomsbury, 2005)

Read more about this topic:  Louise De Salvo

Famous quotes containing the word works:

    Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.
    Raymond Williams (1921–1988)

    I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
    George Bernard Shaw (1856–1950)

    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
    Clive Bell (1881–1962)