Louise de Salvo - Works

Works

  • Virginia Woolf's First Voyage: A Novel in the Making (Rowman & Littlefield Publishers Inc., 1980)
  • Nathaniel Hawthorne (Brill Academic Publishers, Incorporated, 1987)
  • Virginia Woolf: The Impact of Childhood Sexual Abuse on Her Life and Work (Ballantine Books, 1990)
  • Territories of the Voice: Contemporary Stories by Irish Women Writers, Edited By Louise DeSalvo, Katherine Hogan, and Kathleen W. D’Arcy (Beacon Press, 1991)
  • Between Women: Biographers, Novelists, Critics, Teachers, and Artists Write About Their Work on Women, Edited by Carol Ascher, Sara Ruddick, and Louise DeSalvo (Routledge, 1993)
  • Conceived with Malice: Literature as Revenge in the Lives of Woolf, Lawrence, Barnes, Miller (Plume, 1994)
  • Breathless: An Asthma Journal (Beacon Press, 1997)
  • Vertigo: A Memoir (Penguin, 1997)
  • Adultery: An Intimate Look at Why People Cheat (Houghton Mifflin, 2000)
  • Writing as a Way of Healing: How Telling Our Stories Transforms Our Lives (Beacon Press, 2000)
  • A Green and Mortal Sound: Short Fiction by Irish Women Writers, Edited by Louise DeSalvo, Katherine Hogan, and Kathleen Walsh D’Arcy (Beacon Press, 2001)
  • The Letters of Vita Sackville-West and Virginia Woolf, Edited by Louise DeSalvo and Mitchell Leaska (Cleis Press, 2001)
  • Melymbrosia by Virginia Woolf, Edited by Louise DeSalvo (Cleis Press, 2002)
  • The Milk of Almonds: Italian American Women Writers on Food and Culture, Edited by Louise DeSalvo and Edvidge Giunta (The Feminist Press at CUNY, 2003)
  • Crazy in the Kitchen: Food, Feuds and Forgiveness in an Italian American Family (Bloomsbury, 2005)

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    There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.
    Ralph Waldo Emerson (1803–1882)