Writing
Dudek began as a realist lyric poet influenced by the Imagists. Unit of Five (1944) shows a style that employs few adverbs and adjectives, as well as direct descriptions.
The social impulse is also strong in East of the City (1946), which uses the city as the setting for most of its poems.
Social realism is absent form Dudek´s two next books of poetry, Twenty Four Poems (1952) and The Searching Image(1952). The first shows a strong influence of Imagism and its accumulative method; the second, however, shifts drastically towards stylism and artifice with dense and obscure metaphors and elaborate syntax.
His "later poetry, typified by the collection Continuation 1 (1981), harks back to an earlier book, Epigrams (1975), and is an experiment in recording the fragmentary poetic moment."
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“A song is no song unless the circumstance is free and fine. If a singer sing from a sense of duty or from seeing no way to escape, I had rather have none. Those only can sleep who do not care to sleep; and those only write or speak best who do not too much respect the writing or the speaking.”
—Ralph Waldo Emerson (1803–1882)
“I have a vast deal to say, and shall give all this morning to my pen. As to my plan of writing every evening the adventures of the day, I find it impracticable; for the diversions here are so very late, that if I begin my letters after them, I could not go to bed at all.”
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