Writing
Dudek began as a realist lyric poet influenced by the Imagists. Unit of Five (1944) shows a style that employs few adverbs and adjectives, as well as direct descriptions.
The social impulse is also strong in East of the City (1946), which uses the city as the setting for most of its poems.
Social realism is absent form Dudek´s two next books of poetry, Twenty Four Poems (1952) and The Searching Image(1952). The first shows a strong influence of Imagism and its accumulative method; the second, however, shifts drastically towards stylism and artifice with dense and obscure metaphors and elaborate syntax.
His "later poetry, typified by the collection Continuation 1 (1981), harks back to an earlier book, Epigrams (1975), and is an experiment in recording the fragmentary poetic moment."
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“What is line? It is life. A line must live at each point along its course in such a way that the artist’s presence makes itself felt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul’s style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.”
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