Writing
Dudek began as a realist lyric poet influenced by the Imagists. Unit of Five (1944) shows a style that employs few adverbs and adjectives, as well as direct descriptions.
The social impulse is also strong in East of the City (1946), which uses the city as the setting for most of its poems.
Social realism is absent form Dudek´s two next books of poetry, Twenty Four Poems (1952) and The Searching Image(1952). The first shows a strong influence of Imagism and its accumulative method; the second, however, shifts drastically towards stylism and artifice with dense and obscure metaphors and elaborate syntax.
His "later poetry, typified by the collection Continuation 1 (1981), harks back to an earlier book, Epigrams (1975), and is an experiment in recording the fragmentary poetic moment."
Read more about this topic: Louis Dudek
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“I can hardly bring myself to caution you against drinking, because I am persuaded that I am writing to a rational creature, a gentleman, and not to a swine. However, that you may not be insensibly drawn into that beastly custom of even sober drinking and sipping, as the sots call it, I advise you to be of no club whatsoever.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“In the learned journal, in the influential newspaper, I discern no form; only some irresponsible shadow; oftener some monied corporation, or some dangler, who hopes, in the mask and robes of his paragraph, to pass for somebody. But through every clause and part of speech of the right book I meet the eyes of the most determined men; his force and terror inundate every word: the commas and dashes are alive; so that the writing is athletic and nimble,—can go far and live long.”
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“As if reasoning were any kind of writing or talking which tends to convince people that some doctrine or measure is true and right.”
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