Career
He became a matinee idol by virtue of a play titled Cobra, and soon began to act in films. He started working in silent films for director Lois Weber in the early 1920s; the most notable being The Blot in 1921. In 1923 he left film, but would come back eight years later; a little while after movies started talking; primarily cast as a character actor in Hollywood (Ambassador Trentino in the Marx Brothers movie Duck Soup), while he continued to play leading roles on stage. He reached his peak in the 1950s as a Metro-Goldwyn-Mayer contract player. Among his most memorable roles were three that he played in 1950: a singing one as Buffalo Bill in the film version of Annie Get Your Gun, the double-crossing lawyer and sugar-daddy to Marilyn Monroe in John Huston's The Asphalt Jungle, and his Oscar-nominated role as Oliver Wendell Holmes in The Magnificent Yankee (re-creating his stage role), as well as his portrayal of the title role in Joseph L. Mankiewicz's film Julius Caesar in 1953 (adapted from Shakespeare's play).
In addition to The Magnificent Yankee, Calhern had Broadway successes in the English-language production of Franz Werfel's Jacobowsky und der Oberst (1944) and in the title role of King Lear (also in 1950). In his film career, he played the grandfather in The Red Pony (1949), adapted from the novel by John Steinbeck and starring Robert Mitchum, and the spy boss of Cary Grant in the Alfred Hitchcock suspense classic Notorious (1946). A performance as "wicked Uncle Willie" in High Society (1956), a musical remake of The Philadelphia Story, turned out to be the actor's final film.
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Famous quotes containing the word career:
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
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