Art
Because Ms. Lou was extensively trained in classical Chinese calligraphy, expressions of that tradition formed the initial basis of her art. Even at this time, here style was distinctive: "Lou Zhenggang's earliest works earned praise from senior critics especially for their masculinity and grandeur, qualities seldom found in a female artist." As she entered her twenties, she began to develop a more personal style. Indeed, observers who cannot read Chinese can see in these early works a progression from a strong, formal, masculine style to a more fluid and relaxed approach. As she continued to develop confidence and to experiment with different techniques, her style grew even bolder and less traditional. In Japan, she studied painting with noted nihonga artist Matazo Kayama (加山又造 1927-2004), which led to a flourishing of colorful styles and abstract themes — something she could not have produced if she remained within the pure calligraphic traditions of her youth. She continued to expand her range, developing even more abstract works, including color paintings, silk screens, and classic black ink (sumi) artwork. By the age of 40, she had developed an entirely new painting style, one based upon but transcending calligraphic art, which won her considerable acclaim.
Read more about this topic: Lou Zhenggang
Famous quotes containing the word art:
“The art of art, the glory of expression and the sunshine of the light of letters, is simplicity.”
—Walt Whitman (1819–1892)
“I prithee, daughter, do not make me mad.
I will not trouble thee, my child; farewell:
We’ll no more meet, no more see one another.
But yet thou art my flesh, my blood, my daughter—
Or rather a disease that’s in my flesh,
Which I must needs call mine.”
—William Shakespeare (1564–1616)
“...that absolutely everything beloved and cherished of the bourgeoisie, the conservative, the cowardly, and the impotent—the State, family life, secular art and science—was consciously or unconsciously hostile to the religious idea, to the Church, whose innate tendency and permanent aim was the dissolution of all existing worldly orders, and the reconstitution of society after the model of the ideal, the communistic City of God.”
—Thomas Mann (1875–1955)