Art
Because Ms. Lou was extensively trained in classical Chinese calligraphy, expressions of that tradition formed the initial basis of her art. Even at this time, here style was distinctive: "Lou Zhenggang's earliest works earned praise from senior critics especially for their masculinity and grandeur, qualities seldom found in a female artist." As she entered her twenties, she began to develop a more personal style. Indeed, observers who cannot read Chinese can see in these early works a progression from a strong, formal, masculine style to a more fluid and relaxed approach. As she continued to develop confidence and to experiment with different techniques, her style grew even bolder and less traditional. In Japan, she studied painting with noted nihonga artist Matazo Kayama (加山又造 1927-2004), which led to a flourishing of colorful styles and abstract themes — something she could not have produced if she remained within the pure calligraphic traditions of her youth. She continued to expand her range, developing even more abstract works, including color paintings, silk screens, and classic black ink (sumi) artwork. By the age of 40, she had developed an entirely new painting style, one based upon but transcending calligraphic art, which won her considerable acclaim.
Read more about this topic: Lou Zhenggang
Famous quotes containing the word art:
“In spite of the roaring of the young lions at the Union, and the screaming of the rabbits in the home of the vivisector, in spite of Keble College, and the tramways, and the sporting prints, Oxford still remains the most beautiful thing in England, and nowhere else are life and art so exquisitely blended, so perfectly made one.”
—Oscar Wilde (1854–1900)
“It is the test of a novel writer’s art that he conceal his snake-in-the-grass; but the reader may be sure that it is always there.”
—Anthony Trollope (1815–1882)
“Where art thou, death?
Come hither, come! Come, come, and take a queen
Worth many babes and beggars!”
—William Shakespeare (1564–1616)