Reception
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On its opening weekend, Lost in Space grossed $20,154,919, and debuted at number 1 at the box office, preceded by Titanic. Ending Titanic's 15-week-long hold on the first place position, Lost in Space was referred to by some as "the Iceberg." It opened in 3,306 theaters, and made an average $6,096 per screening. Lost in Space grossed $69,117,629 in the United States, and $67,041,794 outside of America, bringing the worldwide total to $136,159,423, making it a box office success. However, those results were insufficient to justify a planned sequel.
Reviews were generally negative for Lost in Space, with a 27% approval rating on Rotten Tomatoes, and 42% on Metacritic.
Roger Ebert gave the film 1 and a half out of 4, calling it a "dim-witted shoot-'em-up". Wade Major from Boxoffice magazine gave the film 1 and a half out of 5, calling it "Ostensibly the dumbest and least imaginative adaptation of a television series yet translated to the screen." James Berardinelli was slightly more favorable, giving the film 2 and a half out of 4. While praising the film's set design, he criticized its "meandering storyline and lifeless protagonists," saying that "Lost in Space features a few action sequences that generate adrenaline jolts, but this is not an edge-of-the-seat motion picture." The film was given a Razzie Award nomination for Worst Remake or Sequel.
Read more about this topic: Lost In Space (film)
Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)