Musical Style
According to Thomas Hischak, Hart "had a remarkable talent for polysyllabic and internal rhymes", and his lyrics have often been praised for their wit and technical sophistication.
According to Stephen Holden, a writer in The New York Times, "Many of Hart's ballad lyrics conveyed a heart-stopping sadness that reflected his conviction that he was physically too unattractive to be lovable." The New York Times writer also noted that "In his lyrics, as in his life, Hart stands as a compellingly lonely figure. Although he wrote dozens of songs that are playful, funny and filled with clever wordplay, it is the rueful vulnerability beneath their surface that lends them a singular poignancy."
Read more about this topic: Lorenz Hart
Famous quotes containing the words musical and/or style:
“A pregnant woman and her spouse dream of three babies—the perfect four-month-old who rewards them with smiles and musical cooing, the impaired baby, who changes each day, and the mysterious real baby whose presence is beginning to be evident in the motions of the fetus.”
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“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
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