Work
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A rapid survey of Lope's nondramatic works can begin with those published in Spain under the title Obras Sueltas (Madrid, 21 vols., 1776–79). The more important elements of this collection include the following:
- La Arcadia (1598), a pastoral romance, is one of the poet's most wearisome productions;
- La Dragontea (1598) is a fantastic history in verse of Sir Francis Drake's last expedition and death;
- El Isidro (1599) is a narrative of the life of Saint Isidore, patron saint of Madrid, composed in octosyllabic quintillas;
- La Hermosura de Angélica (1602), in three books, is a sort of continuation of Ariosto's Orlando Furioso.
Lope de Vega is one of the greatest Spanish poets of his time, along with Luis de Góngora and Francisco de Quevedo. In the 1580s and 1590s his poems of moorish and pastoral themes were extremely popular, in part because Lope —who appears in these poems as a moor called Zaide or a shepherd called Belardo— portrayed elements of his own love affairs. In 1602 he published two hundred sonnets with his La Hermosura de Angélica and in 1604 he republished them with new material in his Rimas. In 1614 his religious sonnets appeared in a book entitled Rimas sacras, which was another huge bestseller. Finally, in 1634 a third book of similar name, Rimas humanas y divinas del licenciado Tomé de Burguillos, which has been considered his masterpiece as a poet and the most modern poem book of the 17th century: Lope created a heteronym, Tomé de Burguillos, a poor scholar who is in love with a maid called Juana and who observes society from a cynical and disillusional position.
Read more about this topic: Lope De Vega
Famous quotes containing the word work:
“It is the privilege of any human work which is well done to invest the doer with a certain haughtiness. He can well afford not to conciliate, whose faithful work will answer for him.”
—Ralph Waldo Emerson (1803–1882)
“As I went about with my father when he collected taxes, I knew that when taxes were laid some one had to work to earn the money to pay them.”
—Calvin Coolidge (1872–1933)
“A work in progress quickly becomes feral. It reverts to a wild state overnight. It is barely domesticated, a mustang on which you one day fastened a halter, but which now you cannot catch. It is a lion you cage in your study. As the work grows, it gets harder to control; it is a lion growing in strength. You must visit it every day and reassert your mastery over it. If you skip a day, you are, quite rightly, afraid to open the door to its room.”
—Annie Dillard (b. 1945)