Composition
"London Bridge" is a hip hop and dance song that lasts for 4:01 (4 minutes and 1 second) and incorporates the use of horns. According to the sheet music published by Windswept Holdings, LLC at Musicnotes.com, it was composed in the key of F major. The song is set in common time to a moderate hip hop groove of 104 beats per minute. Fergie's vocal range spans from the high note of E4 to the low note of F5. Fergie describes the song as being "kind of like a punch in the face to let people know I'm coming out... I've been getting way too into myself nowadays and I just wanna have fun with as many men as I can possible." IGN writer Spence D. labels "London Bridge" as a "club stomper" while Rebecca Wright of Blogcritics describes the song as a catchy and danceable tune with lyrics that are hard to decipher. John Murphy of musicOMH claims that the song also incorporates the use of horns similar to those used by Beyoncé in her single "Work It Out" (2002). Mike Joseph of PopMatters compared the song to Gwen Stefani's "Hollaback Girl", Nelly Furtado's "Promiscuous", and the Black Eyed Peas' "My Humps". Joseph also notes that the song is a mixture of Stefani's schoolgirl sass and "a bit of ambiguous sleaze".
Read more about this topic: London Bridge (song)
Famous quotes containing the word composition:
“There was not a grain of poetry in the whole composition of Lord Fawn, and poetry was what her very soul craved;Mpoetry, together with houses, champagne, jewels, and admiration.”
—Anthony Trollope (18151882)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)
“I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.”
—Henry David Thoreau (18171862)