Notable Appearances in Media
- In the 1941 film A Yank in the RAF with Tyrone Power and Betty Grable, Lockheed Hudsons are the bombers flown by Power and his squadron.
- The Lockheed Hudson features prominently in the Captains of the Clouds (1942). The film starred James Cagney and Dennis Morgan as Canadian bush pilots who do their part in the Second World War as ferry pilots, bringing Hudsons to Britain. The film ends with a depiction of a Hudson ferry flight that mixes authentic live action with studio footage.
- Above and Beyond (2006), a Canadian Broadcasting Corporation (CBC) four-hour mini series, was inspired by the true story of the Atlantic Ferry Organization, recounting the daring plan to deliver aircraft across the North Atlantic to the beleaguered Royal Air Force. The Lockheed Hudson is the primary aircraft portrayed in the mini series in the form of a real life example and numerous CGI Hudsons.
- A de-militarized Hudson is flown by Humphrey Bogart's character in Tokyo Joe (1949). Bogart played an ex-World War II pilot attempting to operate a cargo airline in occupied Japan. The Hudson is identifiable by the turret platform at the rear of the fuselage, and by the numerous windows in the cockpit area.
- The Lockheed Hudson was featured in the movie The Great Raid as a distraction to Japanese soldiers, although in the real event, a P-61 Black Widow was used. The Hudson was used instead because there were no airworthy Black Widows at the time of the movie's filming.
Read more about this topic: Lockheed Hudson
Famous quotes containing the words notable, appearances and/or media:
“a notable prince that was called King John;
And he ruled England with main and with might,
For he did great wrong, and maintained little right.”
—Unknown. King John and the Abbot of Canterbury (l. 2–4)
“Truth has scarce done so much good in the world as the false appearances of it have done hurt.”
—François, Duc De La Rochefoucauld (1613–1680)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)