Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Robert Christgau | (B) |
| Rolling Stone Record Guide | (2 stars) |
Critical press focused on the political direction of Lives in the Balance. Music critic William Rulhmann wrote "...if Browne sounded more involved in his music than he had in some time, the specificity of its approach inevitably limited its appeal and its long-term significance."
Critic Robert Christgau also commented in a similar vein: "The difference is that Browne shouldn't be doing this... he's a pop star who's stretching his audience and endangering his market share merely by making such a statement in 1986. And he's thought hard getting here—not only does his way with words render these lyrics somewhat deeper than Holly Near's, but his moralistic put-downs have that edge of righteous anger nobody's yet found the formula for." The Rolling Stone Record Guide wrote that "the title track is a cutting slice of social observation, but the remainder of the album is muddled. For the first time, Browne seems unsure of himself."
However, the original 1986 Rolling Stone review by Jimmy Guterman praised the album over-all in part because of Browne's "new-found ability to link the personal to the political," which "breathes life" into the songs and "prevents them from becoming too didactic. Browne's not just writing about the headlines; he's trying to tell the stories of the people they affect."
Read more about this topic: Lives In The Balance
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