Style
As with much of Self's fiction there is a heavy emphasis on certain elements of the prose.
In each of the stories the city it is set in is described in detail. For example the area of London in which The Plantation Club is set is described from the point of view of an idle wanderer. The intertwining alleys are described along with the masonry, architecture, and history of the buildings. This helps to establish not only the surroundings for the story but to also give a strong sense of scale: the regulars at the club, enclosed by the club, by the alley, by the suburb, by the city, etc. This idea of scale is also a recurring theme in Self's work, perhaps best encapsulated by the short story Scale in the earlier collection Grey Area.
Self also continues his love of words. His previous works have at times been overloaded with obscure and obsolete words and although less prevalent in this collection there are still some examples that may require some looking up. Self is also not afraid to use elements of foreign language in his prose, and this is most apparent in "Leberknödel." In that story not only are there lines in Latin from an Aria, and elements of the Swiss German spoken by the characters, but also the phonic sound of them (mis)speaking English. For example...
"The people who live there are not the best off type, but the city council - the canton, also - are thinking about taking the action. I think they will be made to move soon. (Moov zoon.)"
...illustrates both how Self conveys the characters' enunciation as well as their grammatical approach to English.
Read more about this topic: Liver: A Fictional Organ With A Surface Anatomy Of Four Lobes
Famous quotes containing the word style:
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)
“Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... One’s style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.”
—Alexander Theroux (b. 1940)
“Sometimes among our more sophisticated, self-styled intellectuals—and I say self-styled advisedly; the real intellectual I am not sure would ever feel this way—some of them are more concerned with appearance than they are with achievement. They are more concerned with style then they are with mortar, brick and concrete. They are more concerned with trivia and the superficial than they are with the things that have really built America.”
—Lyndon Baines Johnson (1908–1973)