Live Art - Reception

Reception

Professional ratings
Review scores
Source Rating
Allmusic
No Depression (no rating)

In his Allmusic review, music critic Thom Owens wrote "the core of the album is Fleck & the Flecktones' dynamite instrumental improvisations, where they can demonstrate the true range of their eclecticism and talent. Of special note are the songs that feature jams with Branford Marsalis, Chick Corea, and Bruce Hornsby, who help spur the Flecktones to new heights."

Bryson Alden, writing for No Depression, wrote "Their music combines the familiar sounds of bluegrass with whatever else comes along, be it jazz, classical, rap or “The Ballad of Jed Clampett”. In lesser hands, these combinations would almost certainly be disastrous, but thanks to the superlative talent of Bela on banjo and assorted banjoesque electronic devices, along with his sidemen, each with a unique instrument/approach, the result is wonderfully pleasing... This two-CD set, recorded live over a period of five years, provides an excellent benchmark of their work."

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    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
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    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
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