Little Gransden - History

History

The village's name is derived from 'valley of a man named Granta or Grante'. It was spelled Grantandene in 973 and Grante(s)dene in the 1086 Domesday book.

Woodland was important in the settlement's early history; there was enough to support 60 pigs in 1086. By 1251, a large area of woodland in the south-east of the parish had been split into Hayley Wood and Littlehound Wood (the latter no longer exists, but the shape can still be seen in field boundaries).

Little Gransden village evolved as an offshoot of Great Gransden. The church and manor house of the abbey of Ely face Great Gransden across the low-lying land along Home Dole Brook; the village grew southwards from a street alongside the brook. There were 56 inhabited houses in 1666, but the number had dropped to 38 by 1801. By 1961 there were 84 houses.

Due to its isolated location, there were no inns in the village until 1800, though by the 1840s there were four (the Sun in Church Lane, the Chequers, the Double Chequers at Mill Hill and the Hardwicke Arms). In 1834, the overseer of the poor considered that an excess of beer-houses may have been partly responsible for recent problems. Only the Chequers was left after 1967.

Despite the heaviness of the soil, most of the parish land has been used mainly for arable farming. It was cultivated in three open fields until parliamentary inclosure in 1814. High, flat land in the east of the parish was hard to drain before mechanisation and was usually used for pasture and as the village common. In 1940, after the outbreak of World War II, the area was made into an airfield, called Gransden Lodge Airfield. It was in operational use from 1941 to 1946 but was unoccupied after 1948 and then sold off. Since October 1991 it has been the home of the Cambridge Gliding Centre.

Read more about this topic:  Little Gransden

Famous quotes containing the word history:

    For a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.
    F. Scott Fitzgerald (1896–1940)

    The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.
    Camille Paglia (b. 1947)

    The history of reform is always identical; it is the comparison of the idea with the fact. Our modes of living are not agreeable to our imagination. We suspect they are unworthy. We arraign our daily employments.
    Ralph Waldo Emerson (1803–1882)