| Title | Running time | Year released | Notes |
|---|---|---|---|
| Logistics (to screen in December 2012) | 51420 min (857 hr / 35 days, 17 hours) | 2012 | |
| Modern Times Forever (Stora Enso Building, Helsinki) | 14400 min (240 hr / 10 days) | 2011 | |
| Cinématon | 10500 min (175 hr / 7 days, 7 hours). | 1978–2012 | |
| Beijing 2003 | 9000 min (150 hr / 6 days, 6 hours). | 2004 | |
| Untitled #125 (Hickory) | 7200 min (120 hr / 5 days). | 2011 | |
| Matrjoschka | 5700 min (95 hr / 3 days, 23 hours). | 2006 | |
| Cure for Insomnia, TheThe Cure for Insomnia | 5220 min (87 hr / 3 days, 15 hours). | 1987 | |
| Longest Most Meaningless Movie in the World, TheThe Longest Most Meaningless Movie in the World | 2880 min (48 hr) | 1968 | |
| **** (Four Stars) | 1500 min (25 hr / 1 day, 1 hour). | 1967 | |
| 24 Hour Psycho | 1440 min (24 hr / 1 day). | 1993 | |
| Clock, TheThe Clock | 1440 min (24 hr / 1 day). | 2010 | |
| Crude Oil | 840 min (14 hr). | 2008 | |
| White House, TheThe White House | 690 min (11 hr, 30 min). | 2006 | |
| Empire | 485 min (8 hr, 5 min). | 1964 | |
| Wake, TheThe Wake | 462 min (7 hr, 42 min) (35mm) | 2000 | |
| Satantango | 450 min (7 hr, 30 min). | 1994 | |
| Lamentations: A Monument to the Dead World | 435 min (7 hr, 7 min). | 1985 | |
| Movie Orgy, TheThe Movie Orgy | 420 min (7 hr). | 1968 | |
| Star Spangled to Death | 402 min (6 hr, 42 min). | 2004 | |
| Sleep | 321 min (5 hr, 21 min.). | 1963 |
Read more about this topic: List Of Longest Films By Running Time
Famous quotes containing the words experimental and/or films:
“Whenever a man acts purposively, he acts under a belief in some experimental phenomenon. Consequently, the sum of the experimental phenomena that a proposition implies makes up its entire bearing upon human conduct.”
—Charles Sanders Peirce (1839–1914)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)