The following is a list of glam metal bands and artists and includes bands and artists that have been described as glam metal or its interchangeable terms, hair metal, hair bands, and pop metal by professional journalists at some stage in their career. Glam metal is a subgenre of heavy metal and is influenced by 1970s glam rock. Glam metal groups wear "... flashy clothing, heavy makeup, and large, teased hair ...".
Read more about List Of Glam Metal Bands And Artists: Glam Metal Bands (1971-93), Glam Metal Revival Bands
Famous quotes containing the words list of, list, metal, bands and/or artists:
“Shea—they call him Scholar Jack—
Went down the list of the dead.
Officers, seamen, gunners, marines,
The crews of the gig and yawl,
The bearded man and the lad in his teens,
Carpenters, coal-passers—all.”
—Joseph I. C. Clarke (1846–1925)
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (1899–1961)
“There is a lot of talk now about metal detectors and gun control. Both are good things. But they are no more a solution than forks and spoons are a solution to world hunger.”
—Anna Quindlen (b. 1953)
“According to the historian, they escaped as by a miracle all roving bands of Indians, and reached their homes in safety, with their trophies, for which the General Court paid them fifty pounds. The family of Hannah Dustan all assembled alive once more, except the infant whose brains were dashed out against the apple tree, and there have been many who in later time have lived to say that they have eaten of the fruit of that apple tree.”
—Henry David Thoreau (1817–1862)
“The past is interesting not only for the beauty which the artists for whom it was the present were able to extract from it, but also as past, for its historical value. The same goes for the present. The pleasure which we derive from the representation of the present is due not only to the beauty in which it may be clothed, but also from its essential quality of being present.”
—Charles Baudelaire (1821–1867)