Season 18
| Episode | Title | Airdate | Actors |
|---|---|---|---|
| 195 - 1 | Caprese in der Stadt | 4 January 1991 | Horst Tappert, Fritz Wepper, Gerd Anthoff, Edwin Noel, Wolf Roth, Hans Korte |
| 196 - 2 | Gefährlicher Weg durch die Nacht | 1 February 1991 | Horst Tappert, Fritz Wepper, Rufus Beck, Eva Kotthaus, Christian Berkel, Gerd Baltus |
| 197 - 3 | Das Penthaus | 15 March 1991 | Horst Tappert, Fritz Wepper, Christine Buchegger, Ernst Schröder, Rudolf Wessely |
| 198 - 4 | Wer bist du, Vater? | 26 April 1991 | Horst Tappert, Fritz Wepper, Ernst Hannawald, Sissy Höfferer, Ingrid van Bergen, Margit Carstensen |
| 199 - 5 | Verlorene Würde | 31 May 1991 | Horst Tappert, Fritz Wepper, Willy Schäfer, Peter Ehrlich, Ulrich Matthes |
| 200 - 6 | Offener Fall | 28 June 1991 | Horst Tappert, Fritz Wepper, Willy Schäfer, Edwin Noel |
| 201 - 7 | Der Tote spielt fast keine Rolle | 19 July 1991 | Horst Tappert, Fritz Wepper, Willy Schäfer, Michèle Marian, Klaus J. Behrendt, Peter Fricke, Jacques Breuer, Dieter Eppler |
| 202 - 8 | Störungen in der Lust zu leben | 9 August 1991 | Horst Tappert, Fritz Wepper, Richy Müller, Hanns Zischler, Horst Sachtleben |
| 203 - 9 | Ein Tod auf dem Hinterhof | 20 September 1991 | Horst Tappert, Fritz Wepper, Willy Schäfer, Hannelore Hoger, Christian Berkel, Jeannine Burch, Christian Kohlund |
| 204 - 10 | Der Schrei | 18 October 1991 | Horst Tappert, Fritz Wepper, Willy Schäfer, Wolf Roth, Rolf Zacher, Carin C. Tietze, Muriel Baumeister, Hans Georg Panczak |
| 205 - 11 | Das Lächeln des Dr. Bloch | 29 November 1991 | Horst Tappert, Fritz Wepper, Willy Schäfer, Evelyn Opela, Katharina Schubert, Kurt Weinzierl |
| 206 - 12 | Isoldes tote Freunde | 20 December 1991 | Horst Tappert, Fritz Wepper, Willy Schäfer, Juliane Rautenberg, Holger Handtke, Volkert Kraeft |
Read more about this topic: List Of Derrick Episodes
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“The theater is a baffling business, and a shockingly wasteful one when you consider that people who have proven their worth, who have appeared in or been responsible for successful plays, who have given outstanding performances, can still, in the full tide of their energy, be forced, through lack of opportunity, to sit idle season after season, their enthusiasm, their morale, their very talent dwindling to slow gray death. Of finances we will not even speak; it is too sad a tale.”
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