List Of Contemporary Accounts Of Samuel Johnson's Life
This article lists all known accounts of the British writer Samuel Johnson's life written by his contemporaries. They are listed by date of publication.
Read more about List Of Contemporary Accounts Of Samuel Johnson's Life: Accounts
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“Love’s boat has been shattered against the life of everyday. You and I are quits, and it’s useless to draw up a list of mutual hurts, sorrows, and pains.”
—Vladimir Mayakovsky (1893–1930)
“Shea—they call him Scholar Jack—
Went down the list of the dead.
Officers, seamen, gunners, marines,
The crews of the gig and yawl,
The bearded man and the lad in his teens,
Carpenters, coal-passers—all.”
—Joseph I. C. Clarke (1846–1925)
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)
“We must love one another, yes, yes, that’s all true enough, but nothing says we have to like each other. It may be the very recognition of all men as our brothers that accounts for the sibling rivalry, and even enmity, we have toward so many of them.”
—Peter De Vries (b. 1910)
“Hannah, why do you weep? Why do you not eat? Why is your heart sad? Am I not more to you than ten sons?”
—Bible: Hebrew, 1 Samuel 1:8.
Hannah’s husband.
“Because of these convictions, I made a personal decision in the 1964 Presidential campaign to make education a fundamental issue and to put it high on the nation’s agenda. I proposed to act on my belief that regardless of a family’s financial condition, education should be available to every child in the United States—as much education as he could absorb.”
—Lyndon Baines Johnson (1908–1973)
“Shut out from the world with its blare and glare, life in an institution moves softly. The ears become attuned to gentle notes and a subdued tone.”
—Mary B. Harris (1874–1957)