A list of works by the French composer Pierre Boulez.
- Douze notations for piano (1945); expanded and reworked for orchestra (1978- )
- Trois psalmodies for piano (1945); withdrawn
- Variations for piano, left hand (1945); withdrawn
- Quatuor pour quatre Ondes Martenot for Ondes Martenot (1945–46); withdrawn
- Piano Sonata no.1 (1946)
- Sonatine for flute and piano (1946)
- Le visage nuptial for soprano, mezzo-soprano, chorus and orchestra (1946; revised 1951; revised 1988-89)
- Symphonie concertante for piano and orchestra (1947); lost
- Piano Sonata no.2 (1948)
- Sonata for Two Pianos for piano duo (1948); revision of the quartet for Ondes Martenot; withdrawn
- Livre pour quatuor (1948); two movements were reworked for string orchestra as Livre pour cordes (1968; revised 1989)
- Le soleil des eaux for soprano, chorus and orchestra (1948; revised 1950; revised 1958; revised 1965)
- Polyphonie X for ensemble (1950–51); withdrawn
- Deux études, musique concrète (1951–52)
- Structures I for two pianos (1951–52)
- Oubli signal lapidé for 12 solo voices (1952); withdrawn
- Le marteau sans maître for alto and six instruments (1953–55; revised 1957)
- La symphonie mécanique musique concrète for a film by Jean Mitry (1955)
- L'Orestie incidental music for Aeschylus' trilogy the Oresteia, for voice and instrumental ensemble (1945)
- Poésie pour pouvoir for tape and 3 orchestras (1955/58); withdrawn
- Piano Sonata no.3 (1955-57/63); unfinished
- Strophes for flute (1957); unfinished
- Le crépuscule de Yang Koueï-Fei musique concrète for the radiophonic play by Louise Fauré (1957)
- Pli selon pli for soprano and orchestra (1957–58, as Improvisations sur Mallarmé 1–2; completed 1959–62; revised 1983; revised 1989)
- Structures II for two pianos (1961)
- Figures-doubles-prismes for orchestra (1957–58, as Doubles; revised 1964; revised 1968)
- Éclat for ensemble (1965)
- Éclat/multiples (1970); Éclat followed by a longer piece for a larger ensemble; unfinished
- Domaines for clarinet (1968)
- Domaines for clarinet and six instrumental groups (1968)
- Improvisé—pour le Dr. Kalmus for flute, clarinet, piano, violin, and cello (1969; revised 2005)
- Über das, über ein verschwindelaren for mixed a cappella chorus (1969)
- Cummings ist der Dichter for chorus and ensemble (1970; revised 1986)
- "…explosante-fixe…" for flute, clarinet, and trumpet (1971–72)
- "…explosante-fixe…" new version for flute, clarinet, trumpet, harp, vibraphone, violin, viola, cello, and electronics (1973–74)
- Rituel - in memoriam Bruno Maderna for orchestra in eight groups (1974)
- Ainsi parla Zarathoustra incidental music for voice and ensemble (1974)
- Messagesquisse for solo cello and six cellos (1976)
- Notations for orchestra (1978- )
- Répons for two pianos, harp, vibraphone, xylophone, cimbalom, ensemble and live electronics (1980; revised and expanded 1982; revised and expanded 1984)
- Dérive 1 for six instruments (1984)
- Dialogue de l'ombre double for clarinet and electronics (1985)
- Mémoriale ("…explosante-fixe…" originel) for flute and ensemble (1985); an arrangement of the central section from "...explosante-fixe..."
- "…explosante-fixe…" version for vibraphone and electronics (1986)
- Initiale for brass ensemble (1987)
- Dérive 2 for eleven instruments (1988; revised 2002; expanded and completed 2006)
- Anthèmes for violin (1991; revised and expanded 1994)
- "…explosante-fixe…" for solo MIDI flute, two "shadow" flutes, chamber orchestra, and electronics (1991–93); three of nine projected movements
- Incises for piano (1994; revised and expanded 2001)
- Dialogue de l'ombre double (transcribed for bassoon and electronics, 1985/1995)
- Anthèmes 2 for violin and live electronics (1997)
- Sur incises for three pianos, three harps and three percussionists (1996–1998)
- Une page d’éphéméride for piano (2005)
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