List of Compositions By Nikolai Rimsky-Korsakov - Opera

Opera

  • The Maid of Pskov (Псковитянка = Pskovitjanka): 1868-1872 (1st version); 1876-1877 (2nd version); 1891-1892 (3rd version)
  • Mlada (Млада): 1872 (portions of Acts II and III from project composed collectively by Borodin, Cui, Minkus, Mussorgsky, and Rimsky-Korsakov)
  • May Night (Майская ночь = Majskaja noch’): 1878-1879
  • The Snow Maiden (Снегурочка = Sneguročka): 1880-1881 (1st version); ca. 1895 (2nd version)
  • Mlada (Млада): 1889-1890 (complete setting of unstaged collaborative project from 1872)
  • Christmas Eve (Ночь перед Рождеством = Noč' pered Roždestvom): 1894-1895
  • Sadko (Садко): 1895-1896
  • Mozart and Salieri (Моцарт и Сальери = Mocart i Sal'eri): 1897
  • The Noblewoman Vera Sheloga (Боярыня Вера Шелога = Bojarynja Vera Šeloga): 1898
  • The Tsar's Bride (Царская невеста = Carskaja nevesta): 1898
  • The Tale of Tsar Saltan, of His Son, the Famous and Mighty Bogatyr Prince Gvidon Saltanovich, and of the Beautiful Princess Swan (Сказка о царе Салтане, о сыне его, славном и могучем богатыре князе Гвидоне Салтановиче и о прекрасной Царевне Лебеди = Skazka o care Saltane, o syne ego, slavnom i mogučem bogatyre knjaze Gvidone Saltanoviče i o prekrasnoj Carevne Lebedi): 1899-1900
  • Servilia (Сервилия = Servilija): 1900-1901
  • Kashchey the Immortal (Кащей бессмертный = Kaščej bessmertnyj): 1901-1902
  • Pan Voyevoda (Пан воевода = Pan vojevoda; literally, The Gentleman Provincial Governor): 1902-1903
  • The Legend of the Invisible City of Kitezh and the Maiden Fevroniya (Сказание о невидимом граде Китеже и деве Февронии = Skazanie o nevidimom grade Kiteže i deve Fevronii): 1903-1904
  • The Golden Cockerel (Золотой петушок = Zolotoj petušok): 1906-1907

Read more about this topic:  List Of Compositions By Nikolai Rimsky-Korsakov

Famous quotes containing the word opera:

    “I have witnessed, and greatly enjoyed, the first act of everything which Wagner created, but the effect on me has always been so powerful that one act was quite sufficient; whenever I have witnessed two acts I have gone away physically exhausted; and whenever I have ventured an entire opera the result has been the next thing to suicide.”
    —Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    “Opera once was an important social instrument—especially in Italy. With Rossini and Verdi people were listening to opera together and having the same catharsis with the same story, the same moral dilemmas. They were holding hands in the darkness. That has gone. Now perhaps they are holding hands watching television.”
    —Luciano Berio (b. 1925)