List of Compositions By Nikolai Rimsky-Korsakov - Opera

Opera

  • The Maid of Pskov (Псковитянка = Pskovitjanka): 1868-1872 (1st version); 1876-1877 (2nd version); 1891-1892 (3rd version)
  • Mlada (Млада): 1872 (portions of Acts II and III from project composed collectively by Borodin, Cui, Minkus, Mussorgsky, and Rimsky-Korsakov)
  • May Night (Майская ночь = Majskaja noch’): 1878-1879
  • The Snow Maiden (Снегурочка = Sneguročka): 1880-1881 (1st version); ca. 1895 (2nd version)
  • Mlada (Млада): 1889-1890 (complete setting of unstaged collaborative project from 1872)
  • Christmas Eve (Ночь перед Рождеством = Noč' pered Roždestvom): 1894-1895
  • Sadko (Садко): 1895-1896
  • Mozart and Salieri (Моцарт и Сальери = Mocart i Sal'eri): 1897
  • The Noblewoman Vera Sheloga (Боярыня Вера Шелога = Bojarynja Vera Šeloga): 1898
  • The Tsar's Bride (Царская невеста = Carskaja nevesta): 1898
  • The Tale of Tsar Saltan, of His Son, the Famous and Mighty Bogatyr Prince Gvidon Saltanovich, and of the Beautiful Princess Swan (Сказка о царе Салтане, о сыне его, славном и могучем богатыре князе Гвидоне Салтановиче и о прекрасной Царевне Лебеди = Skazka o care Saltane, o syne ego, slavnom i mogučem bogatyre knjaze Gvidone Saltanoviče i o prekrasnoj Carevne Lebedi): 1899-1900
  • Servilia (Сервилия = Servilija): 1900-1901
  • Kashchey the Immortal (Кащей бессмертный = Kaščej bessmertnyj): 1901-1902
  • Pan Voyevoda (Пан воевода = Pan vojevoda; literally, The Gentleman Provincial Governor): 1902-1903
  • The Legend of the Invisible City of Kitezh and the Maiden Fevroniya (Сказание о невидимом граде Китеже и деве Февронии = Skazanie o nevidimom grade Kiteže i deve Fevronii): 1903-1904
  • The Golden Cockerel (Золотой петушок = Zolotoj petušok): 1906-1907

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Famous quotes containing the word opera:

    “If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
    —W.H. (Wystan Hugh)

    “The opera isn’t over till the fat lady sings.”
    —Anonymous.

    A modern proverb along the lines of “don’t count your chickens before they’re hatched.” This form of words has no precise origin, though both Bartlett’s Familiar Quotations (16th ed., 1992)

    “Are you suggesting that we reopen the Opera with a murder as an added attraction?”
    —Eric Taylor, Leroux, and Arthur Lubin. Lecours (Fritz Feld)