List of Compositions By Nikolai Rimsky-Korsakov - Chamber Music

Chamber Music

  • String Quartet in F, Op. 12, 1875
  • String Sextet in A, for pairs of violins, violas, and violoncellos, 1876
  • Quintet in B-flat, for flute, clarinet, horn, bassoon, and piano, 1876
  • String Quartet on Russian Themes, 1878–1879
    • First three movements later adapted for Sinfonietta, Op. 31
    • Remaining fourth movement has title "In a Monastery" (version for piano four-hands is entitled "In a Church")
  • Four Variations on a Chorale in G minor, for string quartet, 1885
  • String Quartet "B-la-F", 1st movement, 1886; other movements by Lyadov, Glazunov, and Borodin
  • String Quartet Jour de fête, finale ("Round-Dance" ), 1887; other movements by Glazunov and Lyadov
  • Nocturne in F, for four horns, ca. 1888
  • Two Duets in F, for two horns, 1883?-1894?
  • Canzonetta and Tarantella, for two clarinets, 1883?-1894?
  • Serenade, for violoncello and piano, 1893; also orchestrated as Op. 37
  • String Quartet in G, 1897
  • Trio in C minor, for violin, violoncello, and piano, 1897; completed by his son-in-law Maximilian Steinberg in 1939
  • Theme and Variation No. 4 in G major, for string quartet, 1898; for collaborative Variations on a Russian Theme ("Надоели ночи надоскучили"), with Artsybushev, Skriabin, Glazunov, Lyadov, Vitols, Blumenfeld, Ewald, Winkler, and Sokolov
  • Allegro in B-flat, for string quartet, 1899, for the collaborative set of string quartet pieces entitled Les vendredis, with Glazunov, Artsybushev, Sokolov, Lyadov, Vitols, Osten-Sacken, Blumenfeld, Borodin, and Kopylov

Read more about this topic:  List Of Compositions By Nikolai Rimsky-Korsakov

Famous quotes containing the words chamber and/or music:

    That’s where Time magazine lives ... way out there on the puzzled, masturbating edge, peering through the keyhole and selling what they see to the big wide world of chamber of commerce voyeurs who support the public prints.
    Hunter S. Thompson (b. 1939)

    The harp that once through Tara’s halls The soul of music shed, Now hangs as mute on Tara’s walls As if that soul were fled.
    Thomas Moore (1779–1852)