Chamber and Instrumental
- Violin
- Sonata No.1 for violin and piano, Op.3 (1911)
- Le printemps for violin and piano, Op.18 (1914)
- Sonata No.2 for violin and piano, Op.40 (1917)
- Cinéma fantaisie for violin and piano, Op.58b (1919); also for violin and chamber orchestra; after Le bœuf sur le toit
- Impromptu for violin and piano, Op.91 (1926)
- 3 Caprices de Paganini for violin and piano, Op.97 (1927)
- Dixième sonate de Baptist Anet in D Major, Op.144 (1935); free transcription for violin and harpsichord
- Sonatina for 2 violins, Op.221 (1940)
- Danses de Jacaremirim for violin and piano, Op.256 (1945); 3 pieces
- Sonata for violin and harpsichord, Op.257 (1945)
- Duo for 2 violins, Op.258 (1945)
- Farandoleurs for violin and piano, Op.262 (1946)
- Sonatina pastorale for violin solo, Op.383 (1960)
- Viola
- 4 Visages for viola and piano, Op.238 (1943)
- Sonata No.1 sur des thèmes inédits et anonymes de XVIIIe siècle, for viola and piano, Op.240 (1944)
- Sonata No.2 for viola and piano, Op.244 (1944)
- Élégie for viola and piano, Op.251 (1945)
- Élégie pour Pierre for viola, timpani and 2 percussionists, Op.416 (1965)
- Cello
- Élégie for cello and piano, Op.251 (1945)
- Sonata for cello and piano, Op.377 (1959)
- Guitar
- Ségoviana, Op.366 (1957)
- Harp
- Sonata, Op.437 (1971)
- Winds
- Sonatina for flute and piano, Op.76 (1922)
- Sonatina for clarinet and piano, Op.100 (1927)
- Exercice musical for pipeau, Op.134 (1934)
- 2 Ésquisses for clarinet and piano, Op.227 (1941)
- Caprice, Danse, Églogue for clarinet (or saxophone, or flute) and piano, Op.335 (1954)
- Sonatina for oboe and piano, Op.337 (1954)
- Duo Concertante for clarinet and piano, Op.351 (1956)
- Duo
- Sonatina for violin and viola, Op.226 (1941)
- Sonatina for violin and cello, Op.324 (1953)
- Sonatina for viola and cello, Op.378 (1959)
- Trio
- Sonata for two violins and piano, Op.15 (1914)
- Pastorale for oboe, clarinet and bassoon, Op.147 (1935)
- Suite for violin, clarinet and piano, Op.157b (1936); after the incidental music Le voyageur sans bagage, Op.157
- Suite d'après Corrette for oboe, clarinet and bassoon, Op.161b (1937); after the incidental music Jules César, Op.158 (1936)
- Sonatine à 3 for string trio, Op.221b (1940)
- String Trio, Op.274 (1947)
- Fanfare for 2 trumpets and trombone, Op.400 (1962)
- Piano Trio, Op.428 (1968)
- Quartets
- String Quartet No.1, Op.5 (1912)
- String Quartet No.2, Op.16 (1914–1915)
- String Quartet No.3 with solo voice, Op.32 (1916); poem by Léo Latil
- String Quartet No.4, Op.46 (1918)
- Sonata for flute, oboe, clarinet and piano, Op.47 (1918)
- String Quartet No.5, Op.64 (1920)
- String Quartet No.6, Op.77 (1922)
- String Quartet No.7, Op.87 (1925)
- String Quartet No.8, Op.121 (1932)
- String Quartet No.9, Op.140 (1935)
- La reine de Saba for string quartet, Op.207 (1939)
- String Quartet No.10 Anniversaire ("Birthday Quartet"), Op.218 (1940)
- String Quartet No.11, Op.232 (1942)
- String Quartet No.12, Op.252 (1945)
- String Quartet No.13, Op.268 (1946)
- String Quartet No.14, Op.291 No.1 (1948–1949); The 14th and 15th string quartets can be performed separately as well as simultaneously as a string octet.
- String Quartet No.15, Op.291 No.2 (1948–1949); For another example of a composer writing works for simultaneous performance, see 19th century composer Pietro Raimondi.
- String Quartet No.16, Op.303 (1950)
- String Quartet No.17, Op.307 (1950)
- String Quartet No.18, Op.308 (1950)
- Fanfare (150 mesures pour les 150 ans de la maison Heugel) for 2 trumpets and 2 trombones, Op.400 (1962)
- Piano Quartet, Op.417 (1966)
- Homage à Igor Stravinsky for string quartet, Op.435 (1971)
- 3 Études sur des thèmes du Comtat Venaissin for string quartet, Op.442 (1973)
- Quintets
- La cheminée du roi René, Suite for wind quintet, Op.205 (1939); 7 pieces
- 4 Ésquisses (4 Sketches) for wind quintet, Op.227b (1941); original for piano
- Les rêves de Jacob, Dance Suite for oboe, violin, viola, cello and double bass, Op.294 (1949)
- Divertissement for wind quintet, op.299b (1958); after the film score Gauguin, Op.299
- Quintet No.1 for 2 violins, viola, cello and piano, Op.312 (1950)
- Quintet No.2 for 2 violins, viola, cello and double bass, Op.316 (1952)
- Quintet No.3 for 2 violins, 2 violas and cello, Op.325 (1953–1954)
- Quintet No.4 for 2 violins, viola and 2 cellos, Op.350 (1956)
- Wind Quintet, Op.443 (1973)
- Sextets and septets
- String Sextet, Op.368 (1958)
- String Septet for 2 violins, 2 violas, 2 cellos and double bass, Op.408 (1964); The second movement of the septet, entitled 'Etude in controlled chance' is a rare example of Milhaud embracing aleatoric compositional devices.
Read more about this topic: List Of Compositions By Darius Milhaud
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In an iron-blue chamber of that afternoon
On which we wore things and looked well at
A slab of business rising behind the stars.”
—John Ashbery (b. 1927)
“All history attests that man has subjected woman to his will, used her as a means to promote his selfish gratification, to minister to his sensual pleasures, to be instrumental in promoting his comfort; but never has he desired to elevate her to that rank she was created to fill. He has done all he could to debase and enslave her mind; and now he looks triumphantly on the ruin he has wrought, and say, the being he has thus deeply injured is his inferior.”
—Sarah M. Grimke (17921873)