The List of chorale harmonisations by Johann Sebastian Bach consists of 189 chorales by Johann Sebastian Bach which have been assigned the numbers 250–438 in the Bach-Werke-Verzeichnis (BWV), the catalogue of Bach's works by Wolfgang Schmieder. There are many more chorale harmonisations to be found in Bach's cantatas, motets, passions and in his collection Notebook for Anna Magdalena Bach, but the works in this list are not attached to any larger work or that larger work has been lost. Almost all of the melodies of these chorales are not by Bach but go back to older sources.
Another well known collection of chorale melodies is the Schemellis Gesangbuch (Schemelli's Hymnal), or Geistliche Lieder (Sacred Songs), published in 1736 by Georg Christian Schemelli (c. 1678–1762). These are not four-part harmonisations like the ones in this list but chorale melodies and a basso continuo; again, almost none of those melodies are by Bach.
The composer and musicologist Johann Kirnberger (1721–1783) compiled a list of chorale preludes: see BWV 690–713.
Read more about List Of Chorale Harmonisations By Johann Sebastian Bach: History, Chorale Harmonisations (BWV 250–438)
Famous quotes containing the words list of, list and/or bach:
“Shea—they call him Scholar Jack—
Went down the list of the dead.
Officers, seamen, gunners, marines,
The crews of the gig and yawl,
The bearded man and the lad in his teens,
Carpenters, coal-passers—all.”
—Joseph I. C. Clarke (1846–1925)
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (1899–1961)
“We know that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day’s work at Auschwitz in the morning.”
—George Steiner (b. 1929)