Duets (Ceol Beirte)
- 1956, Seán Ryan & P. J. Moloney, County Tipperary
- 1962, Joe Burke & Aggie Whyte, County Galway
- 1977, Sean McGlynn & Brendan Mulvihill, Washington D.C.
- 1975, Jimmy Keane & Liz Carroll, Chicago
- 1976, Brady Duet, County Offaly
- 1977, Billy McComiskie & Brendan Mulvihill, New York
- 1979, Martin Hayes and Mary McNamara, County Clare
- 1983, Sean & Breda Smyth, County Mayo
- 1984, Rose Daly & Sean O Dalaigh Offaly & Dublin
- 1985, E. Minogue & M. Cooney, County Tipperary
- 1986, Rose Daly & Sean o Dalaigh Offaly & Dublin
- 1987, Michael & Chris McDonagh, Luton, UK
- 198?, Joanie Madden & Kathy McGinty, New York
- 1989, PJ Hernon & Philip Duffy, County Sligo
- 1990, Elizabeth Gaughan & Michael Tennyson, Leeds
- 1991, Micheal & MacDara O'Reily, Meath
- 1992, Micheal & MacDara O'Reily, Meath
- 1993, Paul McGlinchey & Barry McLaughlin, Tyrone
- 1994, Anthony Quigney & Aiden McMahon, Clare
- 1995, Mirella Murray & Liz Kane, County Galway
- 1996, Ursula & Clare Byrne, County Down
- 1997, Aisling & Alan O Choisdeabha, County Tipperary
- 1998, Antoin O Connaill & Diarmuid O Brien, County Limerick
- 1999, Cathal & C. Ní Chlochasaigh, County Limerick
- 2000, Loretto Ní Mhaoldomhnaigh & Thomas Slattery, County Tipperary
- 2001, Nuala Hehir & Liz Gaughan, County Clare
- 2002, Sharon Ní Chearbhaill & Attracta Brady, County Offaly
- 2003, Seana & Lorna Ní Dhaithí, County Meath
- 2004, Úna Devlin & Paul Quinn, County Armagh
- 2005, Mairéad McManus & Katie Boyle, Glasgow
- 2006, Aisling Neville & Alan Egan, County Kerry
- 2007, Tara Breen & Cathal Mac an Rí, County Clare
- 2008, Sean & Gearoid Ó Cathain, County Kildare
- 2009, Daragh & Micheál Ó hÉalaí, County Mayo
- 2010, Alan Finn & Rory McMahon, County Cork
Read more about this topic: List Of All-Ireland Fleadh Champions
Famous quotes containing the word duets:
“For decades child development experts have erroneously directed parents to sing with one voice, a unison chorus of values, politics, disciplinary and loving styles. But duets have greater harmonic possibilities and are more interesting to listen to, so long as cacophony or dissonance remains at acceptable levels.”
—Kyle D. Pruett (20th century)