List of 70 Mm Films - Partial List of Special Venue Films

Partial List of Special Venue Films

  • Journey to the Stars (1962) – Cinerama 360 (a 10/70 dome system using a circular image). 24fps. Shown at the Seattle World's Fair.
  • To the Moon and Beyond (1964) – Cinerama 360 (a 10/70 dome system using a circular image). 18fps. Shown in the Transportation and Travel Pavilion at the New York World's Fair. Later reduced to 35mm, renamed Cosmos and shown in a traveling inflatable theater.
  • Motion (Canada 1967) – Superpanorama 70
  • Harmony: Nature and Man (1969) – Dimension 150. Shown in the Washington State Pavilion at the 1970 Osaka World's Fair.
  • Voyage to the Outer Planets (1973) – A multimedia presentation which included sequences filmed in standard 65mm and in Dynavision (8/70 negative using a modified Todd-AO camera, blown up to OMNIMAX).
  • The Circus (1973) – Todd-AO. Shot with the camera on its side and projected onto a tall narrow screen.
  • Cosmos (aka Cosmos: The Universe of Loren Eisley) (1974) – Dynavision (8/70 negative using a modified Todd-AO camera, blown up to OMNIMAX). Shown at the Reuben H. Fleet Science Center in San Diego.
  • Alaska The Great Land (1981) – 70mm Omnivision (8 perf); Alaska Experience Theatre
  • Symbiosis (1982) – Super Panavision 70 at 30fps. Disney Epcot short subject. Employed an unusual 12-channel sound system designed for the special theater in which it was shown.
  • Magic Journeys (1982) – Kodak-Disney 3D
  • Hawaii Island of the Gods (1984) – 70mm Omnivision (8 perf); Hawaii Experience Theatre.
  • Water, The Source of Life (1984) – Stereospace 2000. Made for the Sumitomo Pavilion at Expo '85 in Tsukuba, Japan.
  • 3D Fantasium (1985) – Stereospace 2000. Made for the United States Pavilion at the 1984 World's Fair in New Orleans.
  • Norway – The Film (1989) – Super Panavision 70. Epcot short subject.
  • Jim Henson's Muppet*Vision 3D (1991) – Dual camera 70mm 3D.
  • Captain EO (1994) – Kodak-Disney 3D
  • Honey, I Shrunk the Audience! (1994) – Kodak-Disney 3D
  • T2 3D: Battle Across Time (1996) – 3 x dual camera 65mm 3D @ 30fps
  • The Witness (1997) – Arri 765 (some scenes in Panavision System 65); shown at Mashantucket Pequot Museum
  • It's Tough to Be a Bug! (1998) – Dual camera 70mm 3D.
  • 100% (1999) – Arri 765. 10 minute short shown in a transportable theatre at NASCAR races.

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