Lindsay Anderson - Theatre Productions

Theatre Productions

All Royal Court, London, unless otherwise indicated:

  • The Waiting of Lester Abbs (Kathleen Sully, 1957)
  • The Long and the Short and the Tall (Willis Hal,1959)
  • Progress to the Park (Alun Owen, 1959)
  • The Trial of Cob and Leach/Jazzetry (Christopher Logue, 1959)
  • Serjeant Musgrave's Dance (John Arden, 1959)
  • The Lily White Boys (Harry Cookson and Christopher Logue, 1960)
  • Trials by Logue: Antigone/Cob and Leach (Christopher Logue, 1960)
  • Diary of a Madman (Gogol adaptation, 1963)
  • Box and Cox (John Maddison Morton, 1961)
  • The Fire Raisers (Max Frisch, 1961)
  • Julius Caesar (William Shakespeare, 1964)
  • Andorra (Max Frisch, National Theatre at the Old Vic, 1964)
  • The Cherry Orchard (Anton Chekhov, Chichester Festival Theatre, 1966)
  • The Contractor (David Storey, 1969)
  • Home (David Storey, also Morosco Theatre NY, 1970)
  • The Changing Room (David Storey, 1971)
  • The Farm (David Storey, 1973)
  • Life Class (David Storey, 1974)
  • In Celebration (David Storey 1974)
  • What the Butler Saw (Joe Orton, 1975)
  • The Seagull (Anton Chekhov, Lyric Theatre, 1975); in repertory with
  • The Bed Before Yesterday (Ben Travers, Lyric Theatre, 1975)
  • The Kingfisher (William Douglas Home, Lyric Theatre 1977, Biltmore NY, 1978)
  • Alice's Boys (Felicity Brown and Jonathan Hayes, Savoy Theatre, 1978)
  • Early Days (David Storey, National Cottesloe Theatre, 1980)
  • The Holly and the Ivy (Wynyard Browne, Roundabout New York, 1982)
  • The Cherry Orchard (Anton Chekhov, Theatre Royal Haymarket, 1983)
  • The Playboy of the Western World (John Millington Synge, 1984)
  • In Celebration revival (David Storey, Manhattan Theatre Club, NY, 1984)
  • Holiday (Philip Barry, Old Vic, 1987)
  • The March on Russia (David Storey, National Lyttelton Theatre, 1989)
  • The Fishing Trip (Frank Grimes, Warehouse Theatre, 1991)
  • Stages (David Storey), National Cottesloe Theatre, 1992)

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Famous quotes containing the words theatre and/or productions:

    The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name.
    Enid Bagnold (1889–1981)

    If in many of my productions terror has been the thesis, I maintain that terror is not of Germany, but of the soul.
    Edgar Allan Poe (1809–1849)