Published Works
1929 - "A Marriage Message for Mary Frost & James Maybon from Lincoln Kirstein", Paris, (May 15, 1929), Boston privately published by Lincoln Kirsten.
1932 - "Flesh Is Heir: An Historical Romance", a novel, New York: Brewer, Warren & Putnam, .
1938 - "Sour Gripes", an essay.
1939 - "Ballet Alphabet"
1943 - "American Battle Painting: 1776-1918."
1947 - "The Drawings of Pavel Tchelitchew"and his last book, published in 1994, was "Tchelitchev," a full-scale study that used a variant spelling of the artist's name. He also wrote "Elie Nadelman" (1973), a book about the American sculptor.
1952 - "The Classic Ballet",
1959 - Monograph entitled: "What Ballet Is All About".
1965 - "Rhymes and More Rhymes of a Pfc.", a book of poems. The poet W.H. Auden praised this book as "the most convincing, moving and impressive" book he had read about WWII.
1967 - "Whitehouse Happening", a play about President Lincoln's assassination.
1967 - "The Dance Encyclopedia" by Anatole Chujoy, P.W. Manchester and Lincoln Kirsten (April 15, 1967)
1970 - "Dance: A Short History of Classic Theatrical Dancing", (August 24, 1970)
1970 - "Movement and Metaphor: Four Centuries of Ballet",
1973 - "Elie Nadelman",
1973 - "The New York City Ballet",
1975 - "Nijinsky Dancing, (November 17, 1975)
1978 - "Thirty Years: Lincoln Kirstein's The New York City Ballet: expanded to include the years 1973-1978, in celebration of the company's thirtieth anniversary"
1984 - "Paul Cadmus",
1984 - "Fifty Ballet Masterworks: From the 16th Century to the 20th Century", (August 1, 1984)
1987 - "Quarry: A Collection in Lieu of Memoirs", Pasadena, California: Twelvetrees Press
1987 - "The Poems of Lincoln Kirsten",
1989 - "Memorial to a Marriage", (October 1989)
1991 - "By With To and From Lincoln Kirstein",
1992 - "Puss in Boots" by Lincoln Kirstein and Alain Vaes (March 1992)
1994 - "Tchelitchev,
1994 - "Mosaic: Memoirs", New York: Farrar, Straus & Giroux (May 1, 1994)
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“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
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