Career
From 1994-2009 she had a regular role as nurse Lily Jarvik on the NBC television series ER, for which she has won the Screen Actors Guild Award for Best Ensemble in a Drama Series four times.
She has since appeared in many films such as The Best Little Whorehouse in Texas, Mighty Joe Young, The Shadow, The New Age, and The Doctor. Lily has guest-starred in over 25 television shows including Judging Amy, Ally McBeal, Family Ties, Star Trek: Deep Space Nine, and Chicago Hope. She is also an award-winning theatre actress, performing in New York, Los Angeles and other regional theatres around the country.
Her debut feature as a writer and director, "Model Minority" had its World Premiere at the 2012 Los Angeles Asian Pacific Film Festival, where it received three awards: Special Jury Outstanding Director, Breakthrough Performance by a New Actor and Outstanding Cinematography as well as being a nominee for the Grand Jury Prize in Narrative Feature Filmmaking. She was also chosen for the 2012-2014 Disney/ABC/DGA Directing Program.
She has written several full-length screenplays, one of which, The Shangri-la Cafe, was accepted into the second round of the application process for development in the Sundance Feature Film Labs, has won Best Screenplay in the Ohio International Independent Film Festival, the Gaffers Film Festival, and is the basis for her short film endeavor, which won her a grant from the AFI Conservatory's prestigious Directing Workshop for Women, 13th Cycle.
Lily has also directed four short films for Instant Films, an independent film project held every two months in which eight short films are written, filmed, edited and screened in 48 hours.
Read more about this topic: Lily Mariye
Famous quotes containing the word career:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
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