Reception
The episode earned a 1.1 household Nielsen rating, which was down by one-tenth of a point or 8% from "Adrift". It fell behind ECW on Sci Fi (with a 1.2 rating), Eureka (with a 1.4 rating) and Ghost Hunters (with a 1.5 rating). In the United Kingdom, "Lifeline" received 443,000 viewers, placing Stargate Atlantis as number six in the top ten broadcasts for Sky One for that week, behind The Simpsons and Prison Break. It was positively received by most critics. Tory Ireland Mell of IGN rated the episode a "masterful" 10 out of a possible 10, praising the slow introduction of Carter, rather than having an SG-1 team member forced into the series, and stated the episode gets the viewer "glued to the television for one hour." Critical Myth rated the episode 8 out of 10, stating the episode as "light on plot twists but packs an emotional punch," and was somewhat critical for the lack of surprises in the episode's storyline. Brett Love of TV Squad liked the episode's storyline, and thought Weir's exit was executed well, despite leaks from the Internet that Weir would be leaving, and compared the scene between her and Oberoth to the confrontations between Neo and Agent Smith from The Matrix film series. However, Love was critical about the absence of Teyla throughout the majority of the episode.
Read more about this topic: Lifeline (Stargate Atlantis)
Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)