Life and Fate (Russian: Жизнь и судьба), is a 1959 novel by Vasily Grossman, and the author's magnum opus. Technically, it is the second half of the author's conceived two-part book under the same title, but while the first half (the novel For the Right Cause), written during the reign of Joseph Stalin and first published in 1952, expresses loyalty to the regime, Life and Fate sharply criticises Stalinism. Le Monde described it as "the greatest Russian novel of the twentieth century".
Vasily Grossman, a Ukrainian Jew, was a correspondent for the Soviet military paper Krasnaya Zvezda throughout World War II. He spent approximately 1,000 days on the frontlines, roughly 3 of the 4 years of the conflict between the Germans and Russians. He was also author of the novel The People are Immortal. He was one of the first journalists to write about the ethnic cleansing of people in Eastern Europe and he was present at many famous battles. Life and Fate was his “pièce de resistance” and most defining achievement.
Read more about Life And Fate: History of The Manuscript, Historical Context, Main Characters, Plot Summary, Major Themes, Radio Adaption
Famous quotes containing the words life and/or fate:
“There is a relation between the hours of our life and the centuries of time. As the air I breathe is drawn from the great repositories of nature, as the light on my book is yielded by a star a hundred millions of miles distant, as the poise of my body depends on the equilibrium of centrifugal and centripetal forces, so the hours should be instructed by the ages and the ages explained by the hours.”
—Ralph Waldo Emerson (1803–1882)
“It is not menstrual blood per se which disturbs the imagination—unstanchable as that red flood may be—but rather the albumen in the blood, the uterine shreds, placental jellyfish of the female sea. This is the chthonian matrix from which we rose. We have an evolutionary revulsion from slime, our site of biologic origins. Every month, it is woman’s fate to face the abyss of time and being, the abyss which is herself.”
—Camille Paglia (b. 1947)