Songs
The album's first track and lead-single "Please" is produced by Scott Storch and it's an arresting danceable ballad recalling the glory moments of her early days. The second track, the ballad "Trippin' (That's the Way Love Works)", is sang in a rapping way, with fast talking where the melody isn't lost and harmonizing is inserted at the right moments. The album's third track "What's Good" is a decidedly traditional ballad, Isley Brothers-esque throwback and uses a clip from Joe Sample's "In My Wildest Dreams". The fourth track "Take This Ring" produced by Rich Harrison, is an upbeat heavily percussion driven record. An aggressive song that is balanced by well managed vocal arrangements lead by unapologetic lyrics. It was compared to Amerie's 1 Thing, also produced by Harrison. It has drum-and-bass-heavy accusational fire.
"Suddenly", which only appears on the European edition of the album, is a relatively jazzy track. It's easily comparable to How Could an Angel Break My Heart" and it features the trumpeter Chris Botti. "I Wanna Be (Your Baby)" is a ballad written by Babyface and Daryl Simmon. "Sposed to Be" is a "tranquil song" with a finger snapping groove. The self-recriminating "Stupid" was compared to the work of Anita Baker. "Finally" makes lyrical references to past hits like "Breathe Again". "Shadowless" is an acoustic guitar ballad in which she sings about a love lost and a plea to win it back.
Read more about this topic: Libra (Toni Braxton Album)
Famous quotes containing the word songs:
“Dylan is to me the perfect symbol of the anti-artist in our society. He is against everything—the last resort of someone who doesn’t really want to change the world.... Dylan’s songs accept the world as it is.”
—Ewan MacColl (1915–1989)
“We can never see Christianity from the catechism:Mfrom the pastures, from a boat in the pond, from amidst the songs of wood- birds we possibly may.”
—Ralph Waldo Emerson (1803–1882)
“And our sov’reign sole Creator
Lives eternal in the sky,
While we mortals yield to nature,
Bloom awhile, then fade and die.”
—Unknown. “Hail ye sighing sons of sorrow,” l. 13-16, Social and Campmeeting Songs (1828)