Letters From Iwo Jima - Production

Production

The film was originally entitled Red Sun, Black Sand. Although the film is set in Japan, it was filmed primarily in Barstow and Bakersfield in California. All Japanese cast except for Ken Watanabe were selected through auditions. Filming in California wrapped on April 8, and the cast and crew then headed back to the studio in Los Angeles for more scenes before Eastwood, Watanabe and a skeleton crew made a quick one-day trip to Iwo Jima for some on-location shots. Principal photography finished in late 2006.

The filmmakers had to be given special permission from the Tokyo Metropolitan Government to film on Iwo Jima, because more than 10,000 missing Japanese soldiers still rest under its soil. The Japan Maritime Self-Defense Force (JMSDF) operates a naval air base on Iwo Jima, which is used by the United States Navy for operations such as nighttime carrier landing practice. Civilian access to the island is restricted to those attending memorial services for fallen American Marines and Japanese soldiers.

The battleship USS Texas (BB-35), which was used in closeup shots of the fleet (for both movies) also participated in the actual attack on Iwo Jima. The only character to appear in both Flags of Our Fathers and Letters From Iwo Jima is Charles W. Lindberg, played by Alessandro Mastrobuono.

Read more about this topic:  Letters From Iwo Jima

Famous quotes containing the word production:

    Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.
    Karl Marx (1818–1883)

    I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)

    The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.
    Ernest Gellner (b. 1925)