Style
Hunter focused for much of his life on landscapes and on still lifes, working in both pen and ink and oil on canvas. His still lifes of fruit are particularly distinctive, but he also painted a variety of landscapes, especially of Scotland and France. In his earlier paintings, Hunter was influenced by Cézanne to produce domestic landscapes. Later, however, in common with the other members of the Scottish colourists movement, he was heavily influenced by contemporary French artists like Monet and Matisse, and his paintings began to make bolder and more energetic use of colour.
Hunter particularly strove to capture in his paintings the effects of light, and would repeatedly paint the same objects or locations under a range of lighting conditions. His brush style was influenced by the French avant garde and, especially in his later work, is described by art critics as '"open and free" and "energetic".
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Famous quotes containing the word style:
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (19031974)
“Style is the man himself.
[Le style cest lhomme même.]”
—Leclerc, George-Louis Buffon, Comte De (17071788)
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style cest lhomme, what is likely to happen if lhomme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (18581944)