Style
Hunter focused for much of his life on landscapes and on still lifes, working in both pen and ink and oil on canvas. His still lifes of fruit are particularly distinctive, but he also painted a variety of landscapes, especially of Scotland and France. In his earlier paintings, Hunter was influenced by Cézanne to produce domestic landscapes. Later, however, in common with the other members of the Scottish colourists movement, he was heavily influenced by contemporary French artists like Monet and Matisse, and his paintings began to make bolder and more energetic use of colour.
Hunter particularly strove to capture in his paintings the effects of light, and would repeatedly paint the same objects or locations under a range of lighting conditions. His brush style was influenced by the French avant garde and, especially in his later work, is described by art critics as '"open and free" and "energetic".
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