Les Paul and Mary Ford - Radio and Television Programs

Radio and Television Programs

Les Paul had hosted a 15-minute radio program, The Les Paul Show, on NBC in 1950, featuring his trio (himself, Ford, and rhythm player Eddie Stapleton) and his electronics, recorded from their home and with gentle humour between Paul and Ford bridging musical selections, some of which had already been successful on records, some of which anticipated the couple's recordings, and many of which presented dazzling re-interpretations of such jazz and pop selections as "In the Mood," "Little Rock Getaway," "Brazil," and "Tiger Rag." Several recordings of these shows survive among old-time radio collectors today.

The show also appeared on television a few years later with the same format, but excluding the trio and retitled The Les Paul & Mary Ford Show (aka Les Paul & Mary Ford At Home) with "Vaya Con Dios" as a theme song. Sponsored by Warner Lambert's Listerine, it was widely syndicated during 1954-55 and was only five minutes (one or two songs) long on film and therefore used as a brief interlude or fill-in on programming schedules. Since Les created the entire show himself, including audio and video, he maintained the original recordings and was in the process of restoring them to up-to-date quality at the time of his death.

Read more about this topic:  Les Paul And Mary Ford

Famous quotes containing the words radio, television and/or programs:

    Having a thirteen-year-old in the family is like having a general-admission ticket to the movies, radio and TV. You get to understand that the glittering new arts of our civilization are directed to the teen-agers, and by their suffrage they stand or fall.
    Max Lerner (b. 1902)

    All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.
    Clive James (b. 1939)

    We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.
    Richard Louv (20th century)