Musical Numbers (original French Version)
- Act I
- Ouverture
- Scene 1
- 1. – Chœur, Chanson des on-dit: "On dit, on dit, charmante femme"
- 2. – Rondeau de Serpolette "Dans ma mystérieuse histoire"
- 3. – Chanson du mousse (Grenicheux)
- 4. – Duo (Germaine et Grenicheux) "Même sans consulter mon coeur"
- 5. – Légende des cloches "Nous avons hélas perdu d'excellents maîtres" (Germaine et Chœur)
- 6. – Rondeau-valse "J'ai fait trois fois le tour du monde" (Henri)
- 7. – Ensemble "A la perruque d'un bailli"
- Scene 2
- Entr'acte
- 8. – Couplets de Grenicheux "Je ne sais comment faire";
- 9. – Final de l'acte I: Scene du marche, choeur des servantes, des domestiques.
- Act II
- 10. – Chœur "À la lueur de ces flambeaux"
- 10b. – Air de Germaine: "Ne parlez pas de mon courage"
- 10c. – Chanson du Serpolette
- 11. – Chanson du Bailli: "J'avais perdu la tête"
- 12. – Chanson d'Henri et choeur: "Sous des armures à leurs tailles"
- 13. – Ensemble et couplets "Vicomtesse et Marquise" (Serpolette, Henri, chœurs)
- 14. – Duo Germaine-Henri "C'est elle et son destin"
- 15. – Chœur et quintette "Gloire au valeureux Grenicheux"
- 16. – "C'est là, c’est là qu'est la richesse" (Gaspard, Grenicheux) et final II.
- Act III
- 16a – Entr'acte et danse
- 17. – Chanson des gueux (Gaspard)
- 18. – Chœur et chanson: "R’gardez par-ci r'gardez par-là" (Serpolette, Grenicheux)
- 19. – Chanson du cidre, Serpolette et choeur: "Vive le cidre de Normandie"
- 20. – Rondeau-valse de Grenicheux: "Je regardais en l'air"
- 21. – Duo Germaine-Henri "Une servante, que m'importe"
- 22. – Final de l'acte III
Read more about this topic: Les Cloches De Corneville
Famous quotes containing the words musical, numbers and/or french:
“Fifty million Frenchmen cant be wrong.”
—Anonymous. Popular saying.
Dating from World War Iwhen it was used by U.S. soldiersor before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“The only phenomenon with which writing has always been concomitant is the creation of cities and empires, that is the integration of large numbers of individuals into a political system, and their grading into castes or classes.... It seems to have favored the exploitation of human beings rather than their enlightenment.”
—Claude Lévi-Strauss (b. 1908)
“The German intellect wants the French sprightliness, the fine practical understanding of the English, and the American adventure; but it has a certain probity, which never rests in a superficial performance, but asks steadily, To what end? A German public asks for a controlling sincerity.”
—Ralph Waldo Emerson (18031882)